THE Poem begins with the description of an obscure village, and of the pleasing melancholy which it excites on being revisited after a long absence. This mixed sensation is an effect of the Memory. From an effect we naturally ascend to the cause; and the subject proposed is then unfolded with an investigation of the nature and leading principles of this faculty. It is evident that our ideas flow in continual succession, and introduce each other with a certain degree of regularity. They are sometimes excited by sensible objects, and sometimes by an internal operation of the mind. Of the former species is most probably the memory of brutes; and its many sources of pleasure to them, as well as to us, are considered in the first part. The latter is the most perfect degree of memory, and forms the subject of the second. When ideas have any relation whatever, they are attract TWILIGHT'S Soft dews steal o'er the village-green, Mark yon old Mansion frowning thro' the trees, Whose hollow turret wooes the whistling breeze. Once the calm scene of many a simple sport; See, thro' the fractured pediment revealed, ive of each other in the mind; and the perception of any Long may the ruin spare its hallowed guest! object naturally leads to the idea of another, which was connected with it either in time or place, or which can be compared or contrasted with it. Hence arises our attachment to inanimate objects; hence also, in some degree, the love of our country, and the emotion with which we contemplate the celebrated scenes of antiquity. Hence a picture directs our thoughts to the original: and, as cold and darkness suggest forcibly the ideas of heat and light, he, who feels the infirmities of age, dwells most on whatever reminds him of the vigour and vivacity of his youth. The associating principle, as here employed, is no less conducive to virtue than to happiness; and, as such, it frequently discovers itself in the most tumultuous scenes of life. It addresses our finer feelings, and gives exercise to every mild and generous propensity. Not confined to man, it extends through all animated nature; and its effects are peculiarly striking in the domestic tribes. As jars the hinge, what sullen echoes call! Now stained with dews, with cobwebs darkly Oft has its roof with peals of rapture rung; B Oft with the babes we wandered in the wood, Those muskets, cased with venerable rust; Still, from the frame in mould gigantic cast, As thro' the garden's desert paths I rove, Childhood's loved group revisits every scene; The tangled wood-walk, and the tufted green ! Indulgent MEMORY wakes, and lo, they live! Clothed with far softer hues than Light can give. Thou first, best friend that Heaven assigns below To sooth and sweeten all the cares we know ; Whose glad suggestions still each vain alarm, When nature fades, and life forgets to charm; Thee would the Muse invoke !-to thee belong The sage's precept, and the poet's song. What softened views thy magic glass reveals, When o'er the landscape Time's meek twilight As when in ocean sinks the orb of day, [steals! Long on the wave reflected lustres play; Thy tempered gleams of happiness resigned Glance on the darkened mirror of the mind. The School's lone porch, with reverend mosses Just tells the pensive pilgrim where it lay. [grey, Mute is the bell that rung at peep of dawn, Quickening my truant-feet across the lawn; Unheard the shout that rent the noontide air, When the slow dial gave a pause to care. Up springs, at every step, to claim a tear, Some little friendship formed and cherished here; And not the lightest leaf, but trembling teems With golden visions, and romantic dreams! Down by yon hazel copse, at evening, blazed The Gipsy's fagot-there we stood and gazed ; Gazed on her sun-burnt face with silent awe, But hark! thro' those old firs, with sullen swell, The church-clock strikes! ye tender scenes, farewell! It calls me hence, beneath their shade, to trace The few fond lines that Time may soon efface. On yon grey stone, that fronts the chancel-door, Worn smooth by busy feet now seen no more, Each eve we shot the marble thro' the ring, When the heart danced, and life was in its spring; Alas! unconscious of the kindred earth, That faintly echoed to the voice of mirth. The glow-worm loves her emerald-light to shed, Where now the sexton rests his hoary head. Oft, as he turned the greensward with his spade, He lectured every youth that round him played; And, calmly pointing where our fathers lay, Roused us to rival each, the hero of his day. Hush, ye fond flutterings, hush! while here alone I search the records of each mouldering stone. Guides of my life! Instructors of my youth! Who first unveiled the hallowed form of Truth! Whose every word enlightened and endeared; In age beloved, in poverty revered; In Friendship's silent register ye live, Nor ask the vain memorial Art can give. But when the sons of peace, of pleasure sleep, When only Sorrow wakes, and wakes to weep, What spells entrance my visionary mind With sighs so sweet, with transports so refined ? Ethereal Power! who at the noon of night Recall'st the far-fled spirit of delight; From whom that musing, melancholy mood Which charms the wise, and elevates the good; Blest MEMORY, hail! Oh grant the grateful Muse, Her pencil dipt in Nature's living hues, To pass the clouds that round thy empire roll, And trace its airy precincts in the soul. Lulled in the countless chambers of the brain, Our thoughts are linked by many a hidden chain. Awake but one, and lo, what myriads rise! Each stamps its image as the other flies. Each, as the various avenues of sense Delight or sorrow to the soul dispense, Brightens or fades; yet all, with magic art, Controul the latent fibres of the heart. As studious PROSPERO's mysterious spell As judgment dictates, or the scene inspires. Survey the globe, each ruder realm explore; The adventurous boy, that asks his little share, And hies from home with many a gossip's prayer, Turns on the neighbouring hill, once more to see The dear abode of peace and privacy; And as he turns, the thatch among the trees, The smoke's blue wreaths ascending with the breeze, The village-common spotted white with sheep, The church-yard yews round which his fathers sleep; All rouse Reflection's sadly-pleasing train, And oft he looks and weeps, and looks again. So, when the mild TUPIA dared explore Arts yet untaught, and worlds unknown before, And, with the sons of Science, wooed the gale That, rising, swelled their strange expanse of sail; So, when he breathed his firm yet fond adieu, Borne from his leafy hut, his carved canoe, And all his soul best loved-such tears he shed, While each soft scene of summer-beauty fled. Long o'er the wave a wistful look he cast, Long watched the streaming signal from the mast; Till twilight's dewy tints deceived his eye, And fairy-forests fringed the evening-sky. So Scotia's Queen, as slowly dawned the day, That faintly tipt the feathery surge with light; This makes him wish to live, and dare to die. 'Twas ever thus. Young AMMON when he sought Where Ilium stood, and where PELIDES fought, [land, Sate at the helm himself. No meaner hand And hence that calm delight the portrait gives : What tho' the iron school of War erase The intrepid Swiss, who guards a foreign shore, Condemned to climb his mountain-cliffs no more, If chance he hears the song so sweetly wild Which on those cliffs his infant hours beguiled, Melts at the long-lost scenes that round him rise, And sinks a martyr to repentant sighs. [bled, Ask not if courts or camps dissolve the charm : Say why VESPASIAN loved his Sabine farm; Why 'great NAVARRE, when France and freedom Sought the lone limits of a forest-shed. When DIOCLETIAN's self-corrected mind The imperial fasces of a world resigned, Say why we trace the labours of his spade In calm Salona's philosophic shade. Say, when contentious CHARLES renounced a throne, To muse with monks unlettered and unknown, What from his soul the parting tribute drew? What claimed the sorrows of a last adieu ? The still retreats that soothed his tranquil breast Ere grandeur dazzled, and its cares oppressed. Undamped by time, the generous Instinct glows Far as Angola's sands, as Zembla's snows; Glows in the tiger's den, the serpent's nest, On every form of varied life imprest. The social tribes its choicest influence hail :And when the drum beats briskly in the gale, The war-worn courser charges at the sound, And with young vigour wheels the pasture round. Oft has the aged tenant of the vale Leaned on his staff to lengthen out the tale; Oft have his lips the grateful tribute breathed, From sire to son with pious zeal bequeathed. When o'er the blasted heath the day declined, And on the scathed oak warred the winter-wind; When not a distant taper's twinkling ray Gleamed o'er the furze to light him on his way; B 2 24 12 When not a sheep-bell soothed his listening ear, Led by what chart, transports the timid dove Hark! the bee winds her small but mellow horn, Blithe to salute the sunny smile of morn. O'er thymy downs she bends her busy course, And many a stream allures her to its source. 'Tis noon, 'tis night. That eye so finely wrought, Beyond the search of sense, the soar of thought, Now vainly asks the scenes she left behind; Its orb so full, its vision so confined! Who guides the patient pilgrim to her cell? Who bids her soul with conscious triumph swell? With conscious truth, retrace the mazy clue Of summer-scents, that charmed her as she flew ? Hail, MEMORY, hail! thy universal reign Guards the least link of Being's glorious chain. PART II. Delle cose custode e despensiera.-TASSO. ANALYSIS OF THE SECOND PART. THE Memory has hitherto acted only in subservience to the senses, and so far man is not eminently distinguished from other animals: but, with respect to man, she has a higher province; and is often busily employed, when excited by no external cause whatever. She preserves, for his use, the treasures of art and science, history and philosophy. She colours all the prospects of life; for we can only anticipate the future, by concluding what is possible from what is past. On her agency depends every effusion of the Fancy, who with the boldest effort can only compound or transpose, augment or diminish the materials which she has collected and still retains. When the first emotions of despair have subsided, and sorrow has softened into melancholy, she amuses with a retrospect of innocent pleasures, and inspires that noble confidence which results from the consciousness of having acted well. When sleep has suspended the organs of sense from their office, she not only supplies the mind with images, but assists in their combination. And even in madness itself, when the soul is resigned over to the tyranny of a distempered imagination, she revives past perceptions, and awakens that train of thought which was formerly most familiar. Nor are we pleased only with a review of the brighter passages of life. Events, the most distressing in their immediate consequences, are often cherished in remembrance with a degree of enthusiasm. But the world and its occupations give a mechanical impulse to the passions, which is not very favourable to the indulgence of this feeling. It is in a calm and wellregulated mind that the Memory is most perfect; and solitude is her best sphere of action. With this sentiment is introduced a Tale illustrative of her influence in solitude, sickness, and sorrow. And the subject having now been considered, so far as it relates to man and the animal world, the Poem concludes with a conjecture that superior beings are blest with a nobler exercise of this faculty. SWEET MEMORY, wafted by thy gentle gale, They in their glorious course the guides of Youth, From Thee gay Hope her airy colouring draws; And Fancy's flights are subject to thy laws. From Thee that bosom-spring of rapture flows, Which only Virtue, tranquil Virtue, knows. When Joy's bright sun has shed his evening-ray, And Hope's delusive meteors cease to play; When clouds on clouds the smiling prospect close, Still thro' the gloom thy star serenely glows: Like yon fair orb, she gilds the brow of night With the mild magic of reflected light. The beauteous maid, who bids the world adieu, Oft of that world will snatch a fond review; Oft at the shrine neglect her beads, to trace Some social scene, some dear, familiar face: And ere, with iron-tongue, the vesper-bell Bursts thro' the cypress-walk, the convent-cell, Oft will her warm and wayward heart revive, To love and joy still tremblingly alive; The whispered vow, the chaste caress prolong, Weave the light dance and swell the choral song; With rapt ear drink the enchanting serenade, And, as it melts along the moonlight-glade, To each soft note return as soft a sigh, And bless the youth that bids her slumbers fly. But not till Time has calmed the ruffled breast, Are these fond dreams of happiness confest. Not till the rushing winds forget to rave, Is Heaven's sweet smile reflected on the wave. From Guinea's coast pursue the lessening sail, And catch the sounds that sadden every gale. Tell, if thou canst, the sum of sorrows there; Mark the fixed gaze, the wild and frenzied glare, The racks of thought, and freezings of despair! But pause not then-beyond the western wave, Go, see the captive bartered as a slave! Crushed till his high, heroic spirit bleeds, And from his nerveless frame indignantly recedes. Yet here, even here, with pleasures long resigned, Lo! MEMORY bursts the twilight of the mind. Her dear delusions sooth his sinking soul, When the rude scourge assumes its base controul; And o'er Futurity's blank page diffuse The full reflection of her vivid hues. "Tis but to die, and then, to weep no more, Then will he wake on Congo's distant shore; Beneath his plantain's ancient shade renew The simple transports that with freedom flew; Catch the cool breeze that musky Evening blows, And quaff the palm's rich nectar as it glows; The oral tale of elder time rehearse, And chant the rude, traditionary verse With those, the loved companions of his youth, When life was luxury, and friendship truth. Ah! why should Virtue fear the frowns of Fate? Hers what no wealth can buy, no power create! A little world of clear and cloudless day, Nor wrecked by storms, nor mouldered by decay; A world, with MEMORY'S ceaseless sunshine blest, The home of Happiness, an honest breast. But most we mark the wonders of her reign, When Sleep has locked the senses in her chain. When sober Judgment has his throne resigned, She smiles away the chaos of the mind; And, as warm Fancy's bright Elysium glows, From Her each image springs, each colour flows. She is the sacred guest! the immortal friend! Oft seen o'er sleeping Innocence to bend, In that dead hour of night to Silence given, Whispering seraphic visions of her heaven. When the blithe son of Savoy, journeying round With humble wares and pipe of merry sound, From his green vale and sheltered cabin hies, And scales the Alps to visit foreign skies; Tho' far below the forked lightnings play, And at his feet the thunder dies away, Oft, in the saddle rudely rocked to sleep, While his mule browses on the dizzy steep, With MEMORY's aid, he sits at home, and sees His children sport beneath their native trees, And bends to hear their cherub-voices call, O'er the loud fury of the torrent's fall. But can her smile with gloomy Madness dwell? There in the dust the wreck of Genius lies! But, as he fondly snatched the wreath of Fame, Cold was her grasp, a withering scowl she wore ; Ah! who can tell the triumphs of the mind, Go, with old Thames, view Chelsea's glorious pile, And ask the shattered hero, whence his smile? Go, view the splendid domes of Greenwich-Go, And own what raptures from Reflection flow. Hail, noblest structures imaged in the wave! A nation's grateful tribute to the brave. Hail, blest retreats from war and shipwreck, hail! That oft arrest the wondering stranger's sail. Long have ye heard the narratives of age, The battle's havoc, and the tempest's rage; Long have ye known Reflection's genial ray Gild the calm close of Valour's various day. Time's sombrous touches soon correct the piece, Mellow each tint, and bid each discord cease: A softer tone of light pervades the whole, And steals a pensive languor o'er the soul. Hast thou thro' Eden's wild-wood vales pursued Which still records beyond the pencil's power, |