Open Secrets: The Literature of Uncounted Experience
Open Secrets identifies an ethos of affirmative reticence and recessive action in Mme de Lafayette's La Princesse de Clèves (1678), Jane Austen's Mansfield Park (1814), and poems by William Wordsworth, Emily Dickinson, and Thomas Hardy. The author argues that these works locate fulfillment not in narrative fruition, but in grace understood both as a simplicity of formal means and a freedom from work, in particular that of self-concealment and self-presentation. Declining the twin pressures of self-actualization and self-denial defining modernity's call to make good on one's talents, the subjects of the "literature of uncounted experience" do nothing so heroic as renounce ambitions of self-expression; they simply set aside the fantasy of the all-responsible subject. The originality of Open Secrets is thus to imagine the non-instrumental without casting it as a heavy ethical burden. Non-appropriation emerges not as what is difficult to do but as the path of least resistance. The book offers a valuable counterpoint to recent anti-Enlightenment revaluations of passivity that have made non-mastery and non-appropriation the fundamental task of the ethical subject.
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absence accept according acknowledgment action already appears argue attention Austen become chapter characters claim Clèves close comes continued critical death defined demands described desire Dickinson difference effect ethical event example expectations experience expression eyes face fact Fanny Fanny's feelings figure final gift give given hand human imagine keep kind knowledge Lafayette's leaves less light limited lines lived look loss lyric Mansfield means mind missed mode moral narrative nature Nemours never novel object once one's open secret passing passive play plot poem position possession possible potential precisely present princess promise question readers reading received refer refusal relation remains response Romantic seems sense simply speaker story suggest taken temporal things thought tion turn virtue Wordsworth's