Literary Values |
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Page 2
John Burroughs. IV In our modern democratic communities the moral sense is no doubt higher than it was in the earlier ages , while the artistic or æsthetic sense is lower . In the Athenian the artistic sense was far above the moral ; in ...
John Burroughs. IV In our modern democratic communities the moral sense is no doubt higher than it was in the earlier ages , while the artistic or æsthetic sense is lower . In the Athenian the artistic sense was far above the moral ; in ...
Page 3
... doubt if we fully appreci- ate the literary value of the staple , fundamental hu- man virtues and qualities- probity , directness , sim- plicity , sincerity , love . There is just as much room and need for the exercise of these ...
... doubt if we fully appreci- ate the literary value of the staple , fundamental hu- man virtues and qualities- probity , directness , sim- plicity , sincerity , love . There is just as much room and need for the exercise of these ...
Page 9
... kept in every word of this de- our minds , so that we may consciously apply it as a test to any piece of writing about the literary character of which we are in doubt . " Fancy a reader , in his quest for the real LITERARY VALUES.
... kept in every word of this de- our minds , so that we may consciously apply it as a test to any piece of writing about the literary character of which we are in doubt . " Fancy a reader , in his quest for the real LITERARY VALUES.
Page 17
... doubt the main reason why Poe is looked upon over there as our most noteworthy poet . Poe certainly had a more consummate art than any other American singer , and his productions are more completely the outcome of that art . They are ...
... doubt the main reason why Poe is looked upon over there as our most noteworthy poet . Poe certainly had a more consummate art than any other American singer , and his productions are more completely the outcome of that art . They are ...
Page 39
... doubt in a way under the same law as are our bodies , because they are the outcome of our bodies and our bodies are the outcome of material nature ; but to base upon that fact the existence of a corresponding world and life after death ...
... doubt in a way under the same law as are our bodies , because they are the outcome of our bodies and our bodies are the outcome of material nature ; but to base upon that fact the existence of a corresponding world and life after death ...
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Common terms and phrases
æsthetic analogy aristocratic Arnold artist beauty better birds Brunetière Carlyle character charm cism common conscious criticism democracy democratic disinterested doubt elements eloquence Emerson emotions excellence experience fact fancy feel Ferdinand Brunetière flavor Frederic Harrison French fresh genius George Eliot GILBERT WHITE give Goethe happiness Henry James human ideal ideas imagination intellectual interest Jane Austen judgment kind language less liter literary value literature live Madame de Staël man's matter Matthew Arnold mind moral nature never one's past phrase pleasure poem poet poetic poetry probably prose Protestantism pure re-read reader reason religion religious Sainte-Beuve says Schopenhauer seek seems sense sentences Shakespeare soul speak spirit style suggestive taste Tennyson things thought tion touch trees true truth ture Victor Hugo vital Whitman whole words Wordsworth writer youth
Popular passages
Page 66 - I will not have in my writing any elegance or effect or originality to hang in the way between me and the rest like curtains. I will have nothing hang in the way not the richest curtains. What I tell I tell for precisely what it is.
Page 67 - Consider the lilies of the field; they toil not, neither do they spin: yet Solomon in all his glory was not arrayed like one of these.
Page 194 - Nothing is secure but life, transition, the energizing spirit. No love can be bound by oath or covenant to secure it against a higher love. No truth so sublime but it may be trivial to-morrow in the light of new thoughts. People wish to be settled; only as far as they are unsettled is there any hope for them.
Page 6 - But to speak in literature with the perfect rectitude and insouciance of the movements of animals and the unimpeachableness of the sentiment of trees in the woods and grass by the roadside is the flawless triumph of art.
Page 175 - I saw it distinctly, more than once, put out its short leg while on the wing, and, by a bend of the head, deliver somewhat into its mouth. If it takes any part of its prey with its foot, as I have now the greatest reason to suppose it does these chafers, I no longer wonder at the use of its middle toe, which is curiously furnished with a serrated claw.
Page 164 - The poet, the orator, bred in the woods, whose senses have been nourished by their fair and appeasing changes, year after year, without design and without heed, — shall not lose their lesson altogether, in the roar of cities or the broil of politics.
Page 162 - It is rapid harmony, exactly adjusted to the sense : It is vehement reasoning, without any appearance of art: It is disdain, anger, boldness, freedom, involved in a continued stream of argument : And, of all human productions, the orations of DEMOSTHENES present to us the models which, approach the nearest to perfection.
Page 204 - Poetic style, when address'd to the soul, is less definite form, outline, sculpture, and becomes vista, music, half-tints, and even less than half-tints.
Page 201 - Man cannot afford to be a naturalist, to look at nature directly, but only with the side of his eye. He must look through and beyond her. To look at her is as fatal as to look at the head of Medusa. It turns the man of science to stone.
Page 202 - I long ago lost a hound, a bay horse, and a turtle-dove, and am still on their trail. Many are the travellers I have spoken concerning them, describing their tracks and what calls they answered to. I have met one or two who had heard the hound, and the tramp of the horse, and even seen the dove disappear behind a cloud, and they seemed as anxious to recover them as if they had lost them themselves.