Literary Values |
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... DEMOCRACY AND LITERATURE 151 VIII . POETRY AND ELOQUENCE IX . GILBERT WHITE AGAIN 161 168 X. LUCID LITERATURE 180 XI . " MERE LITERATURE " " 186 XII . ANOTHER WORD ON EMERSON 191 XIII . THOREAU'S WILDNESS 197 XIV . NATURE IN LITERATURE ...
... DEMOCRACY AND LITERATURE 151 VIII . POETRY AND ELOQUENCE IX . GILBERT WHITE AGAIN 161 168 X. LUCID LITERATURE 180 XI . " MERE LITERATURE " " 186 XII . ANOTHER WORD ON EMERSON 191 XIII . THOREAU'S WILDNESS 197 XIV . NATURE IN LITERATURE ...
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... , in philosophy , we find tasteless and stale . Every gospel has its day . The moral and intellectual hori- zon of the race is perpetually changing . IV In our modern democratic communities the moral sense is LITERARY VALUES 15.
... , in philosophy , we find tasteless and stale . Every gospel has its day . The moral and intellectual hori- zon of the race is perpetually changing . IV In our modern democratic communities the moral sense is LITERARY VALUES 15.
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John Burroughs. IV In our modern democratic communities the moral sense is no doubt higher than it was in the earlier ages , while the artistic or æsthetic sense is lower . In the Athenian the artistic sense was far above the moral ; in ...
John Burroughs. IV In our modern democratic communities the moral sense is no doubt higher than it was in the earlier ages , while the artistic or æsthetic sense is lower . In the Athenian the artistic sense was far above the moral ; in ...
Page 70
... democratic traits of language ease , simplicity , flexibility , transparency - to his passion for the more choice aristocratic features , the perfumed , the academic , the highly wrought . Again , I find Arnold's style less fatiguing ...
... democratic traits of language ease , simplicity , flexibility , transparency - to his passion for the more choice aristocratic features , the perfumed , the academic , the highly wrought . Again , I find Arnold's style less fatiguing ...
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... democracy than is the elegant . Perhaps the word is distasteful to modern ears from its conven- tional associations or its appropriation by milliners and dressmakers . One would not care to write in- elegantly , but would rather his ...
... democracy than is the elegant . Perhaps the word is distasteful to modern ears from its conven- tional associations or its appropriation by milliners and dressmakers . One would not care to write in- elegantly , but would rather his ...
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Common terms and phrases
æsthetic analogy aristocratic Arnold artist beauty better birds Brunetière Carlyle character charm cism common conscious criticism democracy democratic disinterested doubt elements eloquence Emerson emotions excellence experience fact fancy feel Ferdinand Brunetière flavor Frederic Harrison French fresh genius George Eliot GILBERT WHITE give Goethe happiness Henry James human ideal ideas imagination intellectual interest Jane Austen judgment kind language less liter literary value literature live Madame de Staël man's matter Matthew Arnold mind moral nature never one's past phrase pleasure poem poet poetic poetry probably prose Protestantism pure re-read reader reason religion religious Sainte-Beuve says Schopenhauer seek seems sense sentences Shakespeare soul speak spirit style suggestive taste Tennyson things thought tion touch trees true truth ture Victor Hugo vital Whitman whole words Wordsworth writer youth
Popular passages
Page 66 - I will not have in my writing any elegance or effect or originality to hang in the way between me and the rest like curtains. I will have nothing hang in the way not the richest curtains. What I tell I tell for precisely what it is.
Page 67 - Consider the lilies of the field; they toil not, neither do they spin: yet Solomon in all his glory was not arrayed like one of these.
Page 194 - Nothing is secure but life, transition, the energizing spirit. No love can be bound by oath or covenant to secure it against a higher love. No truth so sublime but it may be trivial to-morrow in the light of new thoughts. People wish to be settled; only as far as they are unsettled is there any hope for them.
Page 6 - But to speak in literature with the perfect rectitude and insouciance of the movements of animals and the unimpeachableness of the sentiment of trees in the woods and grass by the roadside is the flawless triumph of art.
Page 175 - I saw it distinctly, more than once, put out its short leg while on the wing, and, by a bend of the head, deliver somewhat into its mouth. If it takes any part of its prey with its foot, as I have now the greatest reason to suppose it does these chafers, I no longer wonder at the use of its middle toe, which is curiously furnished with a serrated claw.
Page 164 - The poet, the orator, bred in the woods, whose senses have been nourished by their fair and appeasing changes, year after year, without design and without heed, — shall not lose their lesson altogether, in the roar of cities or the broil of politics.
Page 162 - It is rapid harmony, exactly adjusted to the sense : It is vehement reasoning, without any appearance of art: It is disdain, anger, boldness, freedom, involved in a continued stream of argument : And, of all human productions, the orations of DEMOSTHENES present to us the models which, approach the nearest to perfection.
Page 204 - Poetic style, when address'd to the soul, is less definite form, outline, sculpture, and becomes vista, music, half-tints, and even less than half-tints.
Page 201 - Man cannot afford to be a naturalist, to look at nature directly, but only with the side of his eye. He must look through and beyond her. To look at her is as fatal as to look at the head of Medusa. It turns the man of science to stone.
Page 202 - I long ago lost a hound, a bay horse, and a turtle-dove, and am still on their trail. Many are the travellers I have spoken concerning them, describing their tracks and what calls they answered to. I have met one or two who had heard the hound, and the tramp of the horse, and even seen the dove disappear behind a cloud, and they seemed as anxious to recover them as if they had lost them themselves.