In rural occupation there is nothing mean and debasing. It leads a man forth among scenes of natural grandeur and beauty; it leaves him to the workings of his own mind, operated upon by the purest and most elevating of external influences. Such a man may be simple and rough, but he cannot be vulgar. The man of refinement, therefore, finds nothing revolting in an intercourse with the lower orders in rural life, as he does when he cas ually mingles with the lower orders of cities. He lays aside his distance and reserve, and is glad to waive the distinctions of rank, and to enter into the honest, heartfelt enjoyments of common life. Indeed the very amusements of the country bring men more and more together; and the sound of hound and horn blend all feelings into harmony. I believe this is one great reason why the nobility and gentry are more popular among the inferior orders in England than they are in any other country; and why the latter have endured so many excessive pressures and extremities, without repining more generally at the unequal distribution of fortune and privilege.

To this mingling of cultivated and rustic society may also be attributed the rural feeling that runs through British literature; the frequent use of illustrations from rural life; those incomparable descriptions of nature that abound in the British poets, that have continued down from "The Flower and the Leaf" of Chaucer, and have brought into our closets all the freshness and fragrance of the dewy landscape. The pastoral writers of other countries appear as if they had paid nature an occasional visit, and become acquainted with her general charms; but the British poets have lived and revelled with her they have wooed her in her most secret haunts - they have watched her minutest caprices. A spray could not tremble in the breeze a leaf could not rustle to the ground — a

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diamond drop could not patter in the stream -a fragrance could not exhale from the humble violet, nor a daisy unfold its crimson tints to the morning, but it has been noticed by these impassioned and delicate observers, and wrought up into some beautiful morality.

The effect of this devotion of elegant minds to rural occupations has been wonderful on the face of the country. A great part of the island is rather level, and would be monotonous, were it not for the charms of culture; but it is studded and gemmed, as it were, with castles and palaces, and embroidered with parks and gardens. It does not abound in grand and sublime prospects, but rather in little home scenes of rural repose and sheltered quiet. Every antique farm-house and moss-grown cottage is a picture: and as the roads are continually winding, and the view is shut in by groves and hedges, the eye is delighted by a continual succession of small landscapes of captivating loveliness.

The great charm, however, of English scenery is the moral feeling that seems to pervade it. It is associated in the mind with ideas of order, of quiet, of sober well-established principles, of hoary usage and reverend custom. Everything seems to be the growth of ages of regular and peaceful existence. The old church of remote architecture, with its low massive portal; its gothic tower; its windows rich with tracery and painted glass, in scrupulous preservation; its stately monuments of warriors and worthies of the olden time, ancestors of the present lords of the soil; its tombstones, recording successive generations of sturdy yeomanry, whose progeny still plough the same fields, and kneel at the same altar- the parsonage, a quaint irregular pile, partly antiquated, but repaired and altered in the tastes of various ages and occupants

the stile and footpath leading from the churchyard, across pleasant fields, and along shady hedge

rows, according to an immemorial right of waythe neighboring village, with its venerable cottages, its public green sheltered by trees, under which the forefathers of the present race have sported

the antique family mansion, standing apart in some little rural domain, but looking down with a protecting air on the surrounding scene: all these common features of English landscape evince a calm and settled security, and hereditary transmission of home-bred virtues and local attachments, that speak deeply and touchingly for the moral character of the nation.

It is a pleasing sight of a Sunday morning, when the bell is sending its sober melody across the quiet fields, to behold the peasantry in their best finery, with ruddy faces and modest cheerfulness, thronging tranquilly along the green lanes to church; but it is still more pleasing to see them in the evenings, gathering about their cottage doors, and appearing to exult in the humble comforts and embellishments which their own hands have spread around them.

It is this sweet home-feeling, this settled repose of affection in the domestic scene, that is, after all, the parent of the steadiest virtues and purest enjoyments; and I cannot close these desultory remarks better than by quoting the words of a modern English poet, who has depicted it with remarkable felicity:

Through each gradation, from the castled hall,
The city dome, the villa crown'd with shade,
But chief from modest mansions numberless,
In town or hamlet, shelt'ring middle life,

Down to the cottaged vale, and straw-roof'd shed;
This western isle hath long been famed for scenes
Where bliss domestic finds a dwelling-place;
Domestic bliss, that, like a harmless dove,
(Honor and sweet endearment keeping guard,)
Can centre in a little quiet nest

All that desire would fly for through the earth;

That can, the world eluding, be itself
A world enjoy'd; that wants no witnesses
But its own sharers, and approving heaven;
That like a flower deep hid in rocky cleft,
Smiles, though 'tis looking only at the sky.*

From a poem on the death of the Princess Charlotte, by the Reverend Rann Kennedy, A. M.

THE BROKEN HEART.

I never heard

Of any true affection, but 'twas nipt
With care, that, like the caterpillar, eats
The leaves of the spring's sweetest book, the rose.
MIDDLETON.

T is a common practice with those who have outlived the susceptibility of early feeling, or have been brought up in the

gay heartlessness of dissipated life, to laugh at all love stories, and to treat the tales of romantic passion as mere fictions of novelists and poets. My observations on human nature have induced me to think otherwise. They have convinced me, that however the surface of the character may be chilled and frozen by the cares of the world, or cultivated into mere smiles by the arts of society, still there are dormant fires lurking in the depths of the coldest bosom, which, when once enkindled, become impetuous, and are sometimes desolating in their effects. Indeed, I am a true believer in the blind deity, and go to the full extent of his doctrines. Shall I confess it? - I believe in broken hearts, and the possibility of dying of disappointed love. I do not, however, consider it a malady often fatal to my own sex; but I firmly believe that it withers down many a lovely woman into an early grave.

Man is the creature of interest and ambition. His nature leads him forth into the struggle and bustle of the world. Love is but the embellishment of his