Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 - Librettos |
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Page 52
... appearances . God is not an artist . Neither is M. Mauriac [ p . 23 ] . For the true novelist , on the other hand , striving for a complete realism , everything will be appearance and all appearances will be , or at least seem , equally ...
... appearances . God is not an artist . Neither is M. Mauriac [ p . 23 ] . For the true novelist , on the other hand , striving for a complete realism , everything will be appearance and all appearances will be , or at least seem , equally ...
Page 174
... appearance of the man's thought . But if he prefers the dramatic way , admittedly the more effective , there is nothing to prevent him from taking it . " By following the Jamesian way the novelist surrenders none of his freedom . " That ...
... appearance of the man's thought . But if he prefers the dramatic way , admittedly the more effective , there is nothing to prevent him from taking it . " By following the Jamesian way the novelist surrenders none of his freedom . " That ...
Page 264
... appearance of the narrator ? If the narrator's superabundant wit is destructive of the kind of illusion proper to this work , the novel has been ruined long before . But we should now be in a position to see precisely why the narrator's ...
... appearance of the narrator ? If the narrator's superabundant wit is destructive of the kind of illusion proper to this work , the novel has been ruined long before . But we should now be in a position to see precisely why the narrator's ...
Contents
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York