Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 - Librettos |
From inside the book
Page 50
... Novels of George Eliot , " Atlantic Monthly , October , 1866 , p . 485 . 41 See Abrams , op . cit . , pp . 241-49 . 42 " François Mauriac and Freedom , " Literary and Philosophical Essays , trans . Annette Michelson ( London , 1955 ) ...
... Novels of George Eliot , " Atlantic Monthly , October , 1866 , p . 485 . 41 See Abrams , op . cit . , pp . 241-49 . 42 " François Mauriac and Freedom , " Literary and Philosophical Essays , trans . Annette Michelson ( London , 1955 ) ...
Page 402
... Novels of George Eliot . London , 1959 . 39. HICKS , GRANVILLE ( ed . ) . The Living Novel . New York , 1957 . Essays by ten contemporary American novelists , exhibiting an extremely wide range of attitudes toward the rhetoric of ...
... Novels of George Eliot . London , 1959 . 39. HICKS , GRANVILLE ( ed . ) . The Living Novel . New York , 1957 . Essays by ten contemporary American novelists , exhibiting an extremely wide range of attitudes toward the rhetoric of ...
Page 445
... Novels of George Eliot , The , " 50 ( n . 40 ) Portrait of a Lady , The , 103-4 , 356-57 Prefaces ; see James , Art of the Novel , The Princess Casamassima , The , 47 problem of intentions in , 339-67 , 369- 71 " Pupil , The , " 365-66 ...
... Novels of George Eliot , The , " 50 ( n . 40 ) Portrait of a Lady , The , 103-4 , 356-57 Prefaces ; see James , Art of the Novel , The Princess Casamassima , The , 47 problem of intentions in , 339-67 , 369- 71 " Pupil , The , " 365-66 ...
Contents
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York