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able acted Addison admired appeared believe called cause cents character Charles chief civil common composition considered contains criticism death doubt edition effect England English essay excellent expression feelings friends genius give given Government hand History honor House human interesting Italy kind king known Lancelot Addison language Latin learning less letter liberty lines literary literature lively look Lord Macaulay Macaulay's manner means Milton mind nature necessary never notes observed opinion Parliament party passages passed person poems poet poetry political Pope praise present probably produced published pupil reader reason regarded remarkable respect seems Select Spectator spirit Steele style success Swift things thought tion Tories translation turned verses Whig whole writer written young
Page 210 - ... whining hymns, might laugh at them. But those had little reason to laugh who encountered them in the hall of debate, or in the field of battle. These fanatics brought to civil and military affairs a coolness of judgment and an immutability of purpose which some writers have thought inconsistent with their religious zeal, but which were, in fact, the necessary effects of it.
Page 213 - In his character the noblest qualities of every party were combined in harmonious union. From the Parliament and from the Court, from the conventicle and from the Gothic cloister, from the gloomy and sepulchral circles of the Roundheads, and from the Christmas revel of the hospitable Cavalier, his nature selected and drew to itself whatever was great and good, while it rejected all the base and pernicious ingredients by which those finer elements were defiled. Like the Puritans, he lived "As ever...
Page 210 - They went through the world, like Sir Artegal's iron man Talus with his flail, crushing and trampling down oppressors, mingling with human beings, but having neither part nor lot in human infirmities, insensible to fatigue, to pleasure, and to pain, not to be pierced by any weapon, not to be withstood by any barrier.
Page 167 - By poetry we mean not all writing in verse, nor even all good writing in verse. Our definition excludes many metrical compositions which, on other grounds, deserve the highest praise. By poetry we mean the art of employing words in such a manner as to produce an illusion on the imagination, the art of doing by means of words what the painter does by means of colors.
Page 208 - The difference between the greatest and the meanest of mankind seemed to vanish, when compared with the boundless interval which separated the whole race from Him on whom their own eyes were constantly fixed.
Page 159 - Dictionary of Phrase and Fable. Giving the Derivation, Source, or Origin of Common Phrases, Allusions, and Words that have a Tale to Tell.
Page 226 - The Scripture also affords us a divine pastoral drama in the song of Solomon, consisting of two persons, and a double chorus, as Origen rightly judges. And the Apocalypse of St. John is the majestic image of a high and stately tragedy, shutting up and intermingling her solemn scenes and acts with a sevenfold chorus of hallelujahs and harping symphonies; and this my opinion the grave authority of Pareus, commenting that book, is sufficient to confirm.
Page 218 - ... the zeal with which he labored for the public good, the fortitude with which he endured every private calamity, the lofty disdain with which he looked down on temptations and dangers, the deadly hatred which he bore to bigots and tyrants, and the faith which he so sternly kept with his country and with his fame.
Page 218 - ... superscription of the Most High. These great men we trust that we know how to prize ; and of these was Milton. The sight of his books, the sound of his name, are pleasant to its. His thoughts resemble those celestial fruits and flowers which the Virgin Martyr of Massinger sent down from the gardens of paradise to the earth, and which were distinguished from the productions of other soils, not only by superior bloom and sweetness, but by miraculous efficacy to invigorate and to heal.
Page 233 - Aikin has committed the errar, very pardonable in a lady, of overrating Addison's classical attainments. In one department of learning, indeed, his proficiency was such as it is hardly possible to overrate. His knowledge of the Latin poets, from Lucretius and Catullus down to Claudian and Prudentius, was singularly exact and profound.