A Course of Lectures on Oratory and Criticism |
From inside the book
Results 1-5 of 24
Page xiii
... . Of the METHOD of Mr. Hume's In- quiry into the Principles of Morals , Hartley's Ob- Servations on Man , Harris's Hermes , that of Ser- mons , and of Mifcellaneous Writings , 73 PART PAR T III . LECT . XI . Of TASTE.
... . Of the METHOD of Mr. Hume's In- quiry into the Principles of Morals , Hartley's Ob- Servations on Man , Harris's Hermes , that of Ser- mons , and of Mifcellaneous Writings , 73 PART PAR T III . LECT . XI . Of TASTE.
Page xiv
... of the Standard of GOOD TASTE , LECT . XVIII . A general Account of the Pleasure we receive from Objects that occafion a moderate Exertion of our Faculties , 148 1.62 LECT . LECT . XIX . Of NOVELTY , LECT . XX THE CONTENT S.
... of the Standard of GOOD TASTE , LECT . XVIII . A general Account of the Pleasure we receive from Objects that occafion a moderate Exertion of our Faculties , 148 1.62 LECT . LECT . XIX . Of NOVELTY , LECT . XX THE CONTENT S.
Page 52
... taste of the writer . A method the most properly analytic is purfu- ed by mathematicians in all kinds of algebraic in- vestigations , in approximations , and in experimen- tal philofophy : whereas the geometric method of propofition and ...
... taste of the writer . A method the most properly analytic is purfu- ed by mathematicians in all kinds of algebraic in- vestigations , in approximations , and in experimen- tal philofophy : whereas the geometric method of propofition and ...
Page 85
... what we may call the bones , muscles , and nerves of a compofition ; we now come to the the covering of this body , to defcribe the external LECT . XI . CRITICISM . 85 Of TASTE, and the Nature of GURATIVE LANGUAGE, Page.
... what we may call the bones , muscles , and nerves of a compofition ; we now come to the the covering of this body , to defcribe the external LECT . XI . CRITICISM . 85 Of TASTE, and the Nature of GURATIVE LANGUAGE, Page.
Page 87
... previous to this , I shall give some account of Taste , and of the difference between plain and figurative language . An Knowledge An exquifite feeling of the finer fenfations abovementioned , LECT . XI . 87 CRITICISM .
... previous to this , I shall give some account of Taste , and of the difference between plain and figurative language . An Knowledge An exquifite feeling of the finer fenfations abovementioned , LECT . XI . 87 CRITICISM .
Other editions - View all
Common terms and phrases
abfurd Æneid affociated againſt arguments attention becauſe cafe Catiline cauſe Cicero circumftances compariſon compofe compofition confequence confiderable confidered confifts contraft courſe defcribing defign demonftration difcourfe diftinct diſcourſe doth eaſily effect expreffion exprefs faid fame fcene fenfations fenfe fenfible fentence fentiments ferious fhall fhould fhow fimilar fimile fince firſt fituation fome fource ftriking ftrong ftyle fubject fublime fuch fufficient fuggeft fure fyllables give greateſt hath hiftory himſelf ideas illuftrate imagination impoffible inftance intereſted itſelf juſt leaſt LECTURE LECTURE lefs likewife manner metaphors metonymy mind mock-heroic moft moſt muft muſt nature neceffary neral notwithſtanding obfervation objects occafion ourſelves paffage paffions pauſe perceive perfon perfonification pleaſe pleaſure pleaſure we receive poffible prefent principles profe proper propofition purpoſe raiſe reader reaſon reſemblance reſpect ſay ſcene ſeems ſenſe ſhall ſhow ſome ſpeak ſtate ſuch tafte taſte thefe themſelves theſe thing thofe thoſe tion univerfally uſe verfe verſe words writer
Popular passages
Page 195 - Like little wanton boys that swim on bladders, This many summers in a sea of glory; But far beyond my depth : my high-blown pride At length broke under me ; and now has left me, Weary, and old with service, to the mercy Of a rude stream, that must for ever hide me.
Page 115 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Page 288 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 103 - He had a fever when he was in Spain, And when the fit was on him, I did mark How he did shake...
Page 128 - But this I confess unto thee, that after the way which they call heresy, so worship I the God of my fathers, believing all things which are written in the law and in the prophets...
Page 288 - With deaf'ning clamours in the slippery clouds, That, with the hurly, death itself awakes ? Canst thou, O partial sleep! give thy repose To the wet sea-boy in an hour so rude; And, in the calmest and most stillest night, With all appliances and means to boot, Deny it to a king ? Then, happy low, lie down ! Uneasy lies the head that wears a crown.
Page 334 - The hoarfe, rough verfe fhould like the torrent roar : When Ajax ftrives fome rock's vaft weight to throw, The line too labours, and the words move flow ; Not fo, when fwift Camilla fcours the plain, Flies o'er th' unbending corn, and fkirns along the main.
Page 288 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
Page 127 - But some man will say, How are the dead raised up ? and with what body do they come ? Thou fool, that which thou sowest is not quickened, except it die. And that which thou sowest, thou sowest not that body that shall be, but bare grain, it may chance of wheat, or of some other grain: but God giveth it a body as it hath pleased him; and to every seed his own body.
Page 238 - The sun had long since in the lap Of Thetis taken out his nap, And like a lobster boil'd, the morn From black to red began to turn."* The Imagination modifies images, and gives unity to variety; it sees all things in one, il piu nell