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ON THE ENJOYMENT OF TRAGEDY
THE MODERNITY OF ARISTOPHANES
THE NATURAL HISTORY OF THE BIOGRAPHIC DRAMA
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Aeschylus answer appears Aristophanes Athens beauty become believe cause characters clear clearly close comedy comes common completely concerned consider course dare death demands doubt drama dreams element emotions enjoy enjoyment eternity Euripides evil example face fact fashion fear feeling figures forces give given gods Greek hero House human idea intense kind king laws lead Lear least less literature live mark means measure merely method mind mystery nature one's Othello pass passion perhaps picture pity play political possible present probably problem question race reader reason remember result satire satisfaction scenes sense situation society speech spirit story struggle suffering suggestion taken themes things tion told tragedy true understand universe Utopian wholly woman women writer