Dante in English Literature from Chaucer to Cary (c.1380-1833)Methuen & Company, 1909 - Comparative literature |
From inside the book
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Page 1
... verse , the fault is in the authors , and not in the tongue . ( Life of W. Wordsworth , by W. Knight , vol . ii . p . 67. ) [ This book does not figure in the catalogue of the sale of Wordsworth's library , which took place in 1859 ...
... verse , the fault is in the authors , and not in the tongue . ( Life of W. Wordsworth , by W. Knight , vol . ii . p . 67. ) [ This book does not figure in the catalogue of the sale of Wordsworth's library , which took place in 1859 ...
Page 5
... , on the indispensable condition of a perfect subordination . The sentence may overflow the verse , but must not transgress the stanza . This little poem is impressible with various characters CENT . XIX . WORDSWORTH - SYMMONS 5.
... , on the indispensable condition of a perfect subordination . The sentence may overflow the verse , but must not transgress the stanza . This little poem is impressible with various characters CENT . XIX . WORDSWORTH - SYMMONS 5.
Page 18
... verses of the Turkish poet Misri : - Le sens de ces vers ne peut être connu et entendu de personne que de Dieu et de ... Verse by Thomas Moore , ed . R. H. Shepherd , pp . 44-5 . ) 1 The poet Dante compromises the matter with the Pagans ...
... verses of the Turkish poet Misri : - Le sens de ces vers ne peut être connu et entendu de personne que de Dieu et de ... Verse by Thomas Moore , ed . R. H. Shepherd , pp . 44-5 . ) 1 The poet Dante compromises the matter with the Pagans ...
Page 21
... Verse by Thomas Moore , ed . R. H. Shepherd , p . 148. ) 1828. IMITATION OF THE INFERNO OF DANTE . [ Parody of Dante ] Così quel fiato gli spiriti mali Di quà , di là , di giù , di su gli mena . Inferno , canto 5 . I turn'd my steps ...
... Verse by Thomas Moore , ed . R. H. Shepherd , p . 148. ) 1828. IMITATION OF THE INFERNO OF DANTE . [ Parody of Dante ] Così quel fiato gli spiriti mali Di quà , di là , di giù , di su gli mena . Inferno , canto 5 . I turn'd my steps ...
Page 27
... Verse by Thomas Moore , ed . R. H. Shepherd , p . 347. ) 1834. A CHARACTER . * [ Simile from Dante ] * * * By Mother Church , high - fed and haughty dame , The boy was dandled , in his dawn of fame ; List'ning , she smil'd , and bless'd ...
... Verse by Thomas Moore , ed . R. H. Shepherd , p . 347. ) 1834. A CHARACTER . * [ Simile from Dante ] * * * By Mother Church , high - fed and haughty dame , The boy was dandled , in his dawn of fame ; List'ning , she smil'd , and bless'd ...
Common terms and phrases
admiration ancient ANONYMOUS ANONYMOUS:-in appeared Ariosto Beatrice beautiful Boccaccio born Brunetto Latini Byron Canto Cary century character Charles criticism DANTE ALIGHIERI Dante and Petrarch Dante's death died Divina Commedia Divine Comedy Edinburgh Review edition English Essay exile eyes father feeling Florence Florentine Foscolo Francesca genius Giotto Guido heart heaven Hell History Homer Ibid imagination imitation Inferno Italian language Italian poets Italy JOHN language Letter literary literature lived London Lord Lord Byron Magazine Michael Angelo Milton mind never original painting Paradise passage passion Petrarch picture Pisa poem poet poetical poetry portrait printed prose published Purg Purgatorio Quarterly Review Ravenna reader references to Dante rhyme Rome Rossetti Shakespeare Shelley sonnets soul spirit Stanza style sublime Tasso terza rima thee things THOMAS thou thought tion Ugo Foscolo Ugolino Venice verse Virgil Vita Nuova volume words write
Popular passages
Page 318 - As tho' to breathe were life. Life piled on life Were all too little, and of one to me Little remains: but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought.
Page 679 - Lasciasser d' operare ogni lor arte ; Ma con piena letizia, l' ore prime Cantando, riceveano intra le foglie, Che tenevan bordone alle sue rime Tal, qual di ramo in ramo si raccoglie Per la pineta, in sul lito di Chiassi, Quand' Eolo scirocco fuor discioglie.
Page 317 - It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me.
Page 317 - I am become a name ; for always roaming with a hungry heart much have I seen and known ; cities of men and manners, climates, councils, governments, myself not least, but...
Page 354 - LANZI'S History of Painting In Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century. Translated by Thomas Roscoe. 3 vols. 3*. 6d. each. LAPPENBERG'S History of England under the AngloSaxon Kings. Translated by B. Thorpe, FSA New edition, revised by EC Otte.
Page 249 - Knights, ladies, praying in dumb orat'ries, He passeth by ; and his weak spirit fails To think how they may ache in icy hoods and mails.
Page 315 - THE poet in a golden clime was born, With golden stars above; Dower'd with the hate of hate, the scorn of scorn, The love of love.
Page 42 - Soft hour ! which wakes the wish and melts the heart Of those who sail the seas, on the first day When they from their sweet friends are torn apart ; Or fills with love the pilgrim on his way, As the far bell of vesper makes him start, Seeming to weep the dying day's decay.
Page 318 - There lies the port; the vessel puffs her sail: There gloom the dark broad seas. My mariners, Souls that have toil'd, and wrought, and thought with me That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads...
Page 223 - Every man's mind is, in this respect, modified by all the objects of nature and art; by every word and every suggestion which he ever admitted to act upon his consciousness; it is the mirror upon which all forms are reflected, and in which they compose one form. Poets, not otherwise than philosophers, painters, sculptors, and musicians, are, in one sense, the creators, and, in another, the creations, of their age.