A golden clasp, clasping a shred of gold. All else had perished-save a wedding-ring, And a small seal, her mother's legacy, Engraven with a name, the name of both, "GINEVRA." There then had she found a grave! Within that chest had she concealed herself, Fluttering with joy, the happiest of the happy; When a spring-lock, that lay in ambush there, Fastened her down for ever! XIX. Of all the fairest Cities of the Earth None are so fair as FLORENCE. 'Tis a gem Of purest ray, a treasure for a casket! And what a glorious lustre did it shed, When it emerged from darkness! Search within, Without; all is enchantment! 'Tis the Past Contending with the Present; and in turn Each has the mastery. In this chapel wrought MASSACCIO; and he slumbers underneath. Wouldst thou behold his monument? Look round! And know that where we stand, stood oft and long, Oft till the day was gone, RAPHAEL himself, He and his haughty Rival-patiently, Humbly, to learn of those who came before, To steal a spark from their authentick fire, There, on the seat that runs along the wall, South of the Church, east of the belfry-tower, The balance, and assigned at his good pleasure To each his place in the invisible world, To some an upper, some a lower region; Reserving in his secret mind a niche For thee, Saltrello, who with quirks of law Hadst plagued him sore, and carefully requiting Such as ere-long condemned his mortal part To fire. Sit down awhile-then by the gates Wondrously wrought, so beautiful, so glorious, That they might serve to be the gates of Heaven, Enter the Baptistery. That place he loved; Calling it his! And in his visits there Well might he take delight! For, when a child, Playing, with venturous feet, near and yet nearer One of the fonts, fell in, he flew and saved him, Flew with an energy, a violence, That broke the marble-a mishap ascribed To evil motives; his, alas, to lead A life of trouble, and ere-long to leave All things most dear to him, ere-long to know How salt another's bread is, and how toilsome The going up and down another's stairs. Nor then forget that Chamber of the Dead, Where the gigantic forms of Night and Day, Turned into stone, rest everlastingly; Yet still are breathing, and shed round at noon A two-fold influence-only to be felt A light, a darkness, mingling each with each; Both and yet neither. There, from age to age, |