Contributions to the Edinburgh Review, Volume 2Longman, Brown, Green, and Longmans, 1846 |
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Page 5
... beauty in rural imagery or picturesque description ; while another doats on Idyls and Pastorals , and will not allow the affairs of polite life to form a subject for verse . One is for simplicity and pathos ; another for magnifi- cence ...
... beauty in rural imagery or picturesque description ; while another doats on Idyls and Pastorals , and will not allow the affairs of polite life to form a subject for verse . One is for simplicity and pathos ; another for magnifi- cence ...
Page 13
... beauty of our English poetry , the reflection that recurs most frequently and forcibly to us , in accom- panying Mr. C. through his wide survey , is that of the perishable nature of poetical fame , and the speedy obli- vion that has ...
... beauty of our English poetry , the reflection that recurs most frequently and forcibly to us , in accom- panying Mr. C. through his wide survey , is that of the perishable nature of poetical fame , and the speedy obli- vion that has ...
Page 17
... beauty and justice , compares the appearance of Chaucer in our language , to a premature day in an English spring ; after which the gloom of winter returns , and the buds and blossoms , which have been called forth by a transient ...
... beauty and justice , compares the appearance of Chaucer in our language , to a premature day in an English spring ; after which the gloom of winter returns , and the buds and blossoms , which have been called forth by a transient ...
Page 19
... beauty and feeling . — To the latter , indeed , he is rather more than just . - The account of Beaumont and Fletcher is lively and discriminating . -- " The theatre of Beaumont and Fletcher contains all manner of good and evil . The ...
... beauty and feeling . — To the latter , indeed , he is rather more than just . - The account of Beaumont and Fletcher is lively and discriminating . -- " The theatre of Beaumont and Fletcher contains all manner of good and evil . The ...
Page 26
... beauty of dialogue , or in the eloquence of the passions . Yet the effect of his plain and homely subjects was so strikingly superior to that of the vapid and heroic productions of the day , as to induce some of his contemporary ...
... beauty of dialogue , or in the eloquence of the passions . Yet the effect of his plain and homely subjects was so strikingly superior to that of the vapid and heroic productions of the day , as to induce some of his contemporary ...
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Common terms and phrases
admiration Adosinda appear ascer beauty believe breath character colour conceive Crabbe CRABBE'S delight diction earth effect emotions English poetry existence exquisite external eyes fair fancy father faults feelings genius GEORGE CRABBE give Goth grace hand hath heart honour human humble images imagination interest lady less light living Loch Katrine lofty look Lord Byron lov'd lover Macbeth merit mind misanthropy moral Myrrha nature never o'er objects observation once original pain PARISINA passages passion pathos peculiar Pelayo perception philosophy philosophy of mind picture pleasure poem poet poetical poetry qualities racter readers Roderick Rylstone Sard SARDANAPALUS scarcely scene Scott seem'd seems sensations sentiments Shakespeare SIEGE OF CORINTH Siverian smile song soul specimen spirit story style sweet taste tenderness thee THEODRIC thing thou thought tion tone truth Twas vulgar whole Wordsworth writings youth
Popular passages
Page 381 - O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim...
Page 462 - I have not loved the world, nor the world me, — But let us part fair foes ; I do believe, Though I have found them not, that there may be Words which are things, — hopes which will not deceive, And virtues which are merciful, nor weave Snares for the failing ; I would also deem O'er others...
Page 453 - And Ardennes waves above them her green leaves, Dewy with nature's tear-drops as they pass, Grieving, if aught inanimate e'er grieves, Over the unreturning brave, — alas! Ere evening to be trodden like the grass...
Page 464 - Returning where my walk begun, Avoiding only, as I trod, My brothers' graves without a sod; For if I thought with heedless tread My step profaned their lowly bed, My breath came gaspingly and thick, And my crush'd heart fell blind and sick.
Page 73 - It was the lark, the herald of the morn, No nightingale; look, love, what envious streaks Do lace the severing clouds in yonder east...
Page 158 - His wee bit ingle, blinkin bonnily, His clean hearth-stane, his thriftie wifie's smile, The lisping infant prattling on his knee, Does a' his weary carking cares beguile, An' makes him quite forget his labour an' his toil. Belyve the elder bairns come drapping in, At service out, amang the farmers roun
Page 460 - This quiet sail is as a noiseless wing To waft me from distraction ; once I loved Torn ocean's roar, but thy soft murmuring . Sounds sweet as if a Sister's voice reproved, That I with stern delights should e'er have been so moved. It is the hush of night...
Page 80 - This was the noblest Roman of them all : All the conspirators, save only he, Did that they did in envy of great Caesar; He only, in a general honest thought, And common good to all, made one of them. His life was gentle; and the elements So mix'd in him that Nature might stand up And say to all the world, This was a man!
Page 193 - Our song and feast shall flow To the fame of your name, When the storm has ceased to blow, — When the fiery fight is heard no more, And the storm has ceased to blow.
Page 139 - The stars are forth, the moon above the tops Of the snow-shining mountains. — Beautiful! I linger yet with Nature, for the night Hath been to me a more familiar face Than that of man ; and in her starry shade Of dim and solitary loveliness, I learn'd the language of another world.