You will smile to see the slender labors of your friend designated by the title of Works; but such was the wish of the gentlemen who have kindly undertaken the trouble of collecting them, and from their judgment could be no appeal. It would be a kind of disloyalty to offer to any one but yourself a volume containing the early pieces, which were first published among your poems, and were fairly derivatives from you and them. My friend Lloyd and myself came into our first battle (authorship is a sort of warfare) under cover of the greater Ajax. How this association, which shall always be a dear and proud recollection to me, came to be broken,-who snapped the threefold cord,-whether yourself (but I know that was not the case) grew ashamed of your former companions,-or whether (which is by much the more probable) some ungracious bookseller was author of the separation,-I cannot tell ;-but wanting the support of your friendly elm (I speak for myself), my vine has, since that time, put forth few or no fruits; the sap (if ever it had any) has become, in a manner, dried up and extinct. Am I right in assuming this as the cause? or is it that, as years come upon us (except with some more healthyhappy spirits), life itself loses much of its Poetry for us? we transcribe but what we read in the great volume of Nature; and, as the characters grow dim, we turn off, and look another way. You yourself write no Christabels, nor Ancient Mariners, now. Some of the Sonnets, which shall be carelessly turned over by the general reader, may happily awaken in you remembrances, which I should be sorry should be ever totally extinct-the memory Of summer days and of delightful years even so far back as to those old suppers at our old ***** Inn,-when life was fresh, and topics exhaustless,-and you first kindled in me, if not the power, yet the love of poetry, and beauty, and kindliness.— What words bave I heard The world has given you many a shrewd nip and gird since that time; but either my eyes are grown dimmer, or my old friend is the same, who stood before me three-and-twenty years ago—his hair a little confessing the hand of time, but still shrouding the same capacious brain,—his heart not altered, scarcely where it ■ alteration finds, » One piece, Coleridge, I have ventured to publish in its original form, though I have heard you complain of a certain over-imitation of the antique in the style. If I could see any way of getting rid of the objection, without rewriting it entirely, I would make some sacrifices. But when I wrote John Woodvil, I never proposed to myself any distinct deviation from common English. I had been newly initiated in the writings of our elder dramatists; Beaumont and Fletcher, and Massinger, were then a first love; and from what I was so freshly conversant in, what wonder if my language imperceptibly took a tinge? The very time, which I had chosen for my story, that which immediately followed the Restoration, seemed to require, in an English play, that the English should be of rather an older cast, than that of the precise year in which it happened to be written. I wish it had not some faults which I can less vindicate than the language.—I remain, My dear Coleridge, That cannot I; but I have my conjectures. DANIEL. You lazy feasters at another's cost, Being indeed but foul excrescences, Who act up to the height your master's vices, MARTIN. Whom does he call thin-face? SANDFORD. No prating, loon, but tell me who he was, You miserable men, With minds more slavish than your slave's estate, Which took you from the looms, and from the ploughs, Two hundred pounds, as I hear, to the man that shall And entertain'd ye in a worthy service, apprehend him. DANIEL. Where your best wages was the world's repute, I hope there is none in this company would be mean And quickly too : ye had better, for I see enough to betray him. DANIEL. Young mistress Margaret coming this way. [Exeunt all but SANDFORD. Enter MARGARET, as in a fright, pursued by a Gentleman, who, seeing SANDFORD, retires muttering a curse. SANDFORD, MARGARET. SANDFORD. Good morrow to my fair mistress. 'T was a chance I saw you, lady, so intent was I .3 On chiding hence these graceless serving-men, 'Tis thought he is no great friend to the present happy Without debauch and mis-timed riotings. All things seem changed, I think. I had a friend (I can't but weep to think him alter'd too), These things are best forgotten; but I knew A man, a young man, young, and full of honor, That would have pick'd a quarrel for a straw, And fought it out to the extremity, E'en with the dearest friend he had alive, On but a bare surmise, a possibility, Some are too tame, that were too splenetic once. SANDFORD. 'T were best he should be told of these affronts. MARGARET. I am the daughter of his father's friend, I am not his servant-maid, that I should wait I am somewhat proud: and Woodvil taught me pride. None once so pleasant in his eyes as Margaret : His flatteries taught me first this self-esteem, And ladies envied me the love of Woodvil. He doth affect the courtier's life too much, Whose art is to forget, A cold protector is John grown to me. The mistress, and presumptive wife, of Woodvil A man, her equal, to redress those wrongs, But which his own neglects have sanctioned rather, His love which long has been upon the wane. For me, I am determined what to do: To leave this house this night, and lukewarm John, And trust for food to the earth and Providence. O lady, have a care SANDFORD. Of these indefinite and spleen-bred resolves. Upon a life of wand'ring, which your thoughts now, To your abused fancy, as 't is likely, | Portray without its terrors, painting lies And representments of fallacious liberty- You know not what it is to leave the roof that shelters you. MARGARET. I have thought on every possible event, The dangers and discouragements you speak of, Even till my woman's heart hath ceased to fear them, And cowardice grows enamour'd of rare accidents. Nor am I so unfurnish'd, as you think, Of practicable schemes. SANDFORD. Now God forbid; think twice of this, dear lady. MARGARET. I pray you spare me, Mr Sandford, And once for all believe, nothing can shake my purpose. SANDFORD. But what course have you thought on? MARGARET. To seek Sir Walter in the forest of Sherwood. Acquainting me with all the circumstances Of their concealment, place, and manner of life, All which I have perused with so attent And child-like longings, that to my doting ears One meaning in two words, Sherwood and Liberty. "T is you that must provide now The means of my departure, which for safety SANDFORD. Since you will have it so (My careful age trembles at all may happen), I will engage to furnish you: I have the keys of the wardrobe, and can fit you With garments to your size. I know a suit Of lively Lincoln Green, that shall much grace you I have the keys of all this house and passages, And ere day-break will rise and let you forth. To bear you on your way to Nottingham. Gone! gone! my girl? so hasty, Margaret! Where he hath ventures? does not rather muffle His organs to emit a leaden sound, To suit the melancholy dull farewell, But 't is the common error of your sex, Which into maxims pass, and apophthegms I know them all. They are jealous, when our larger hearts receive More guests than one (Love in a woman's heart Mere levity and youthfulness of blood, a malady incident to young men physicians call it caprice. Being all in one). For me, I am sure I have room here Nothing else. He, that slighted her, knew her value: For more disturbers of my sleep than one. Love shall have part, but Love shall not have all. and 't is odds, but, for thy sake, Margaret, John will yet go to his grave a bachelor. [A noise heard, as of one drunk and singing. |