William Cullen Bryant |
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Page 18
... course , is an appreciation of the poet's aims , his interests , and his capacities ; and it is to this area that atten- tion must first be directed . I Major Characteristics For some time the major characteristics of Bryant's art have ...
... course , is an appreciation of the poet's aims , his interests , and his capacities ; and it is to this area that atten- tion must first be directed . I Major Characteristics For some time the major characteristics of Bryant's art have ...
Page 24
... course , in Leaves of Grass , Children of the Night , and North of Boston . Cast like commodities upon the market , it is not surprising that Bryant's poems should be accepted as the products of an entirely repu- table but unknowable ...
... course , in Leaves of Grass , Children of the Night , and North of Boston . Cast like commodities upon the market , it is not surprising that Bryant's poems should be accepted as the products of an entirely repu- table but unknowable ...
Page 33
... course , but only through the process of the poem itself . The fourth and eighth stanzas in " To a Waterfowl " are not pious platitudes ; they are the efforts of the mind , and then of the heart , to relate within the context of the ...
... course , but only through the process of the poem itself . The fourth and eighth stanzas in " To a Waterfowl " are not pious platitudes ; they are the efforts of the mind , and then of the heart , to relate within the context of the ...
Contents
Chronology | 13 |
The Poems of Nature | 39 |
The Poem of Death | 65 |
Copyright | |
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Ages American appear artist association beauty become blank verse brought century chapter circle clear close course creative critical darkness death described dialogue directed early Earth elements Emerson emotional experience expression face feeling final flower freedom further genius Godwin grave hand heart human ideas imagery images imagination intellectual issues Italy kind language later less limitations lines Literature lives lyric matter meaning mind moral Mountain Nature never objects observation once passage passing past poem poet poet's poetic poetry political Post principle problem progress Prose reader reason recognized reflection religious response reveal Review rhetoric rhyme rhythms sense sensibility sentiment social society speaks structure successful suggestive symbol Thanatopsis theme thou thought tion tone truth universe vision voice William Cullen Bryant Writings York young