Shakespeare: A Critical Study of His Mind and ArtHenry S. King & Company, 1875 - 430 pages |
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... dramatic poet to the mind of the creator . Still no one , I suppose , would maintain that a product of mind , so large and manifold as the writings of Shakspere , can fail in some measure to reveal its origin and cause . The reader must ...
... dramatic poet to the mind of the creator . Still no one , I suppose , would maintain that a product of mind , so large and manifold as the writings of Shakspere , can fail in some measure to reveal its origin and cause . The reader must ...
Page 7
... dramatic career ; and observed also the increase in the use of double - endings in his later plays . Professor Craik , in his " English of Shakespere , " and Professor J. K. Ingram , in a lecture upon Shakspere published in " Afternoon ...
... dramatic career ; and observed also the increase in the use of double - endings in his later plays . Professor Craik , in his " English of Shakespere , " and Professor J. K. Ingram , in a lecture upon Shakspere published in " Afternoon ...
Page 9
... drama ? The question seems at first improper . There is perhaps no body of literature which has less of an express tendency for the intellect than the drama of the age of Elizabeth . It is the outcome of a rich and manifold life ; it is ...
... drama ? The question seems at first improper . There is perhaps no body of literature which has less of an express tendency for the intellect than the drama of the age of Elizabeth . It is the outcome of a rich and manifold life ; it is ...
Page 23
... drama of Eschylus and Sophocles , not the drama of Calderon and Lope de Vega , not the drama of Corneille and Racine . These give us views of human life , and select portions of it for artistic handling . Elizabethan drama gives us the ...
... drama of Eschylus and Sophocles , not the drama of Calderon and Lope de Vega , not the drama of Corneille and Racine . These give us views of human life , and select portions of it for artistic handling . Elizabethan drama gives us the ...
Page 24
... drama . of Shakspere are not disorganised and denaturalised by irruptions of the miraculous . The one standing miracle is the world itself . That power and virtue which can achieve wonders , which can do higher things than all feats of ...
... drama . of Shakspere are not disorganised and denaturalised by irruptions of the miraculous . The one standing miracle is the world itself . That power and virtue which can achieve wonders , which can do higher things than all feats of ...
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Common terms and phrases
action Antony and Cleopatra artist attain beauty Bolingbroke Brutus Caliban Capulet Cassius character Coleridge comedy comic Cordelia Coriolanus criticism Cymbeline death deed delight Desdemona drama dream earth energy evil fact Falstaff father feeling Fleay genius Gervinus grave Hamlet hand heart heaven Helena Henry heroic historical plays honour human humour husband Iago ideal imagination intellect Jahrbuch Julius Cæsar King King Lear Kreyssig Laertes laughter Lear lives lord Love's Labour's Lost lover loyalty Macbeth manhood Marlowe mind mirth moral mystery nature night noble Ophelia Othello passion pathetic period person poems poet Polonius Portia possessed present Prospero Queen Richard Romeo and Juliet scene sense Shak Shakespeare Shakspere Society Shakspere's Shakspere's plays Sonnets sorrow soul spere spirit stand strength Tempest tender terrible thee Theseus things thou thought Timon Timon of Athens tion tragedy tragic true truth uttered virtue weakness woman words
Popular passages
Page 270 - This is the excellent foppery of the world, that, when we are sick in fortune, often the surfeit of our own behaviour, we make guilty of our disasters the sun, the moon, and the stars...
Page 174 - And the armies which were in heaven followed him upon white horses, clothed in fine linen, white and clean. And out of his mouth goeth a sharp sword, that with it he should smite the nations : and he shall rule them with a rod of iron : and he treadeth the winepress of the fierceness and wrath of Almighty God. And he hath on his vesture and on his thigh a name written, King of Kings, and Lord of Lords.
Page 211 - I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds ' To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wonder'd at, By breaking through the foul and ugly mists Of vapours, that did seem to strangle him.
Page 367 - A' made a finer end and went away an it had been any christom child; a' parted even just between twelve and one, even at the turning o' the tide: for after I saw him fumble with the sheets and play with flowers and smile upon his fingers...
Page 209 - Fate, And see the revolution of the times Make mountains level, and the continent, Weary of solid firmness, melt itself Into the sea : and, other times, to see The beachy girdle of the ocean Too wide for Neptune's hips ; how chances mock, And changes fill the cup of alteration With divers liquors ! [0, if this were seen, The happiest youth, viewing .his progress through, What perils past, what crosses to ensue, Would shut the book, and sit him down and die...
Page 77 - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these : but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and, indeed, the sundry contemplation of my travels, in which my often rumination wraps me in a most humorous sadness.
Page 136 - Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination and a form indeed, Where every god did seem to set his seal, To give the world assurance of a man: This was your husband.
Page 217 - I know thee not, old man: Fall to thy prayers ; How ill white hairs become a fool, and jester!
Page 400 - Desiring this man's art, and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate: For thy sweet love remembered such wealth brings, That then I scorn to change my state with kings.
Page 43 - This pencil take (she said), whose colours clear Richly paint the vernal year : Thine, too, these golden keys, immortal Boy ! This can unlock the gates of Joy ; Of Horror that, and thrilling Fears, Or ope the sacred source of sympathetic Tears.