The life of Shakspeare; enquiries into the originality of his dramatic plots and characters; and essays on the ancient theatres and theatrical usages |
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Page 79
... copied from an original picture , it is entitled , notwithstanding its abo- minable imitation of humanity , to somewhat more consideration than copies of unauthenti- cated pictures . It is a tradition at Stratford , that Shakspeare's ...
... copied from an original picture , it is entitled , notwithstanding its abo- minable imitation of humanity , to somewhat more consideration than copies of unauthenti- cated pictures . It is a tradition at Stratford , that Shakspeare's ...
Page 80
Augustine Skottowe. monumental bust was copied from a cast after nature . In imitation of nature , the hands and face were painted flesh colour , the eyes of a light hazel , and the hair and beard auburn ; the doublet or coat was scarlet ...
Augustine Skottowe. monumental bust was copied from a cast after nature . In imitation of nature , the hands and face were painted flesh colour , the eyes of a light hazel , and the hair and beard auburn ; the doublet or coat was scarlet ...
Page 111
... copied . Capel's account is this : Jones himself wrote down the stanza ; this stanza was repeated from memory , by Capel's maternal grandfather , Mr. Thomas Wilkes , to Capel's father , who committed it to writing . The two copies of ...
... copied . Capel's account is this : Jones himself wrote down the stanza ; this stanza was repeated from memory , by Capel's maternal grandfather , Mr. Thomas Wilkes , to Capel's father , who committed it to writing . The two copies of ...
Page 128
... copied the old play in its story and scenic arrangement of circumstances . He seldom corrects his author , but with him attributes the death of Richard the First to the Duke of Austria , and names that duke " Ly- moges . " Richard was ...
... copied the old play in its story and scenic arrangement of circumstances . He seldom corrects his author , but with him attributes the death of Richard the First to the Duke of Austria , and names that duke " Ly- moges . " Richard was ...
Page 152
... copying the lead- ing feature of his plot ; but though he adopted the incidents of the old play , he was not content to receive Henry's character from the same authority . He had recourse to the historians , and from them delineated his ...
... copying the lead- ing feature of his plot ; but though he adopted the incidents of the old play , he was not content to receive Henry's character from the same authority . He had recourse to the historians , and from them delineated his ...
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Common terms and phrases
action Antony appears assigned authority Banquo beauty brother Brutus Cæsar Cassio character Cinthio circumstances comedy Comedy of Errors command Cordelia Coriolanus court crime crown Cymbeline daughter death Desdemona devil displayed doth drama dramatist Duke effect exhibited fairies Falstaff father favour fear folio friar friends Guiderius Hamlet hand hath heart Henry Holinshed honour husband Iago Imogen incident John Shakspeare Juliet Julius Cæsar king lady Lear Leir lord lover Macbeth Malone marriage Measure for Measure ment mind mistress murder nature never night noble novel old play original Othello passage passion person plot Plutarch poem poet poet's possession prince Promos Prospero quarto queen racter Richard Robert Arden Romeo Rosader Saladyne scene servant Shak Shakspeare Shakspeare's Sir Thomas speare spirits stage Steevens story Stratford tale theatre thee Thomas Lucy thou thought Timon tion unto virtue wife witches woman
Popular passages
Page 193 - Till thou applaud the deed. Come, seeling night', Scarf up the tender eye of pitiful day, And with thy bloody and invisible hand, Cancel, and tear to pieces, that great bond Which keeps me pale ! — Light thickens ; and the crow Makes wing to the rooky wood : Good things of day begin to droop and drowse, Whiles night's black agents to their preys do rouse.
Page 159 - tis strange : And oftentimes, to win us to our harm, The instruments of darkness tell us truths : Win -us with honest trifles, to betray us In deepest consequence.
Page 65 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was indeed honest, and of an. open and free nature ; had an excellent phantasy, brave notions, and gentle expressions...
Page 234 - In her days, every man shall eat in safety Under his own vine what he plants ; and sing The merry songs of peace to all his neighbours.
Page 260 - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
Page 269 - Flying between the cold moon and the earth, Cupid all arm'd : a certain aim he took At a fair vestal throned by the west, And loos'd his love-shaft smartly from his bow, As it should pierce a hundred thousand hearts : But I might see young Cupid's fiery shaft Quench'd in the chaste beams of the watery moon, And the imperial votaress passed on, In maiden meditation, fancy-free.
Page 254 - He draweth out the thread of his verbosity finer than the staple of his argument.
Page 156 - The night has been unruly : where we lay, Our chimneys were blown down ; and, as they say, Lamentings heard i...
Page 73 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Page 153 - I'll sup. Farewell. Poins. Farewell, my lord. [Exit POINS. P. Hen. I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds ' To smother up his beauty from the world...