The life of Shakspeare; enquiries into the originality of his dramatic plots and characters; and essays on the ancient theatres and theatrical usages |
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Page 27
... Hamlet was certainly acted on the upper stage . The presence of scenery in the booths and temporary erections in inn yards , where the first companies of comedians exhibited , is not to be supposed ; and the evidence collected on the ...
... Hamlet was certainly acted on the upper stage . The presence of scenery in the booths and temporary erections in inn yards , where the first companies of comedians exhibited , is not to be supposed ; and the evidence collected on the ...
Page 44
... so little distinguished afterwards for any extra- ordinary excellence as an actor , that the Ghost in his own Hamlet was considered his most suc- cessful effort . * It was usual in old plays 44 THE LIFE OF SHAKSPEARE .
... so little distinguished afterwards for any extra- ordinary excellence as an actor , that the Ghost in his own Hamlet was considered his most suc- cessful effort . * It was usual in old plays 44 THE LIFE OF SHAKSPEARE .
Page 45
... Hamlet to the players are a keen censure upon the boisterous rant , and impertinent ignorance of his contem- raries , and an admirable epitome of general principles for the guidance of the actor . But deficient in those peculiarities of ...
... Hamlet to the players are a keen censure upon the boisterous rant , and impertinent ignorance of his contem- raries , and an admirable epitome of general principles for the guidance of the actor . But deficient in those peculiarities of ...
Page 58
... Hamlet - 1600 19 Merry Wives of Windsor - 1601 20 Troilus and Cressida - 1602 21 Measure for Measure 1603 22 Henry VIII . 23 Othello 1604 24 Lear 1605 25 All's Well that Ends Well 1606 26 Macbeth • 27 Julius Cæsar 1607 28 Twelfth Night ...
... Hamlet - 1600 19 Merry Wives of Windsor - 1601 20 Troilus and Cressida - 1602 21 Measure for Measure 1603 22 Henry VIII . 23 Othello 1604 24 Lear 1605 25 All's Well that Ends Well 1606 26 Macbeth • 27 Julius Cæsar 1607 28 Twelfth Night ...
Page 59
... Hamlet in 1600 , and closes with Macbeth in 1606 : it was between those that Lear and Othello were produced . Before the composition of Hamlet are found Richard II . and III . , the Merchant of Venice , Romeo and Juliet , King John , a ...
... Hamlet in 1600 , and closes with Macbeth in 1606 : it was between those that Lear and Othello were produced . Before the composition of Hamlet are found Richard II . and III . , the Merchant of Venice , Romeo and Juliet , King John , a ...
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Common terms and phrases
action Antony appears assigned authority Banquo beauty brother Brutus Cæsar Cassio character Cinthio circumstances comedy Comedy of Errors command Cordelia Coriolanus court crime crown Cymbeline daughter death Desdemona devil displayed doth drama dramatist Duke effect exhibited fairies Falstaff father favour fear folio friar friends Guiderius Hamlet hand hath heart Henry Holinshed honour husband Iago Imogen incident John Shakspeare Juliet Julius Cæsar king lady Lear Leir lord lover Macbeth Malone marriage Measure for Measure ment mind mistress murder nature never night noble novel old play original Othello passage passion person plot Plutarch poem poet poet's possession prince Promos Prospero quarto queen racter Richard Robert Arden Romeo Rosader Saladyne scene servant Shak Shakspeare Shakspeare's Sir Thomas speare spirits stage Steevens story Stratford tale theatre thee Thomas Lucy thou thought Timon tion unto virtue wife witches woman
Popular passages
Page 193 - Till thou applaud the deed. Come, seeling night', Scarf up the tender eye of pitiful day, And with thy bloody and invisible hand, Cancel, and tear to pieces, that great bond Which keeps me pale ! — Light thickens ; and the crow Makes wing to the rooky wood : Good things of day begin to droop and drowse, Whiles night's black agents to their preys do rouse.
Page 159 - tis strange : And oftentimes, to win us to our harm, The instruments of darkness tell us truths : Win -us with honest trifles, to betray us In deepest consequence.
Page 65 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was indeed honest, and of an. open and free nature ; had an excellent phantasy, brave notions, and gentle expressions...
Page 234 - In her days, every man shall eat in safety Under his own vine what he plants ; and sing The merry songs of peace to all his neighbours.
Page 260 - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
Page 269 - Flying between the cold moon and the earth, Cupid all arm'd : a certain aim he took At a fair vestal throned by the west, And loos'd his love-shaft smartly from his bow, As it should pierce a hundred thousand hearts : But I might see young Cupid's fiery shaft Quench'd in the chaste beams of the watery moon, And the imperial votaress passed on, In maiden meditation, fancy-free.
Page 254 - He draweth out the thread of his verbosity finer than the staple of his argument.
Page 156 - The night has been unruly : where we lay, Our chimneys were blown down ; and, as they say, Lamentings heard i...
Page 73 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Page 153 - I'll sup. Farewell. Poins. Farewell, my lord. [Exit POINS. P. Hen. I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds ' To smother up his beauty from the world...