A Quaker Singer's Recollections |
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Page 17
... heard other boys speaking their lessons before I be- gan to study the language , and with my quick ear I caught the correct pronunciation at once . But when first called upon by Mr. Kaighn to read a paragraph from " Télé- maque , " my ...
... heard other boys speaking their lessons before I be- gan to study the language , and with my quick ear I caught the correct pronunciation at once . But when first called upon by Mr. Kaighn to read a paragraph from " Télé- maque , " my ...
Page 24
... heard on festivals the voices of male singers who had been in the Pope's choir at St. Peter's , which had been dispersed among the other churches some time before , where they were to be heard by an admiring public , that would actually ...
... heard on festivals the voices of male singers who had been in the Pope's choir at St. Peter's , which had been dispersed among the other churches some time before , where they were to be heard by an admiring public , that would actually ...
Page 28
... heard in the Episcopal Church at Moorestown , where now and then I went with my father , who sang occasionally in the little choir . The majesty of the pealing organ , played by my grand - aunt Emma Stokes , the choir behind the green ...
... heard in the Episcopal Church at Moorestown , where now and then I went with my father , who sang occasionally in the little choir . The majesty of the pealing organ , played by my grand - aunt Emma Stokes , the choir behind the green ...
Page 29
... heard " Pat " Gilmore and his band play the " William Tell " overture and similar pop- ular music . Theodore Thomas ... heard in the beer gar- dens . It was in one of these that I first heard the Hun- garian violinist , Remenyi ...
... heard " Pat " Gilmore and his band play the " William Tell " overture and similar pop- ular music . Theodore Thomas ... heard in the beer gar- dens . It was in one of these that I first heard the Hun- garian violinist , Remenyi ...
Page 30
... heard the fa- mous Ole Bull , the diamond in the end of whose violin bow still flashes in my mind's eye . I recall the wizard's slender figure and long white hair and his somewhat an- tiquated style of dress coat and neckcloth . Ever ...
... heard the fa- mous Ole Bull , the diamond in the end of whose violin bow still flashes in my mind's eye . I recall the wizard's slender figure and long white hair and his somewhat an- tiquated style of dress coat and neckcloth . Ever ...
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Common terms and phrases
accompanist actor admirable Alberich American Anton Seidl appeared artists asked audience barytone beautiful Beckmesser Beethoven began Boston called career Carnegie Hall celebrated chorus Club composer concert conductor costume Covent Garden Damrosch Danny Deever DAVID BISPHAM dramatic dress Edouard de Reszke engagements England English Falstaff festival gave German given Grau hand hear heard interesting Italian Jean de Reszke knew lady Lilli Lehmann Lohengrin London looked Madame manager Metropolitan Opera Metropolitan Opera House musicians never night Nordica occasion opéra comique Opera House oratorio orchestra performed Philadelphia pianist piano play Quaker quartette recitals rehearsal rendered repertory sang scene season Shakespeare sing singer songs soprano stage story Street sung Tannhäuser tenor Theatre things thought tion title rôle told took tour vocal voice Wagner Walter Damrosch words York
Popular passages
Page 345 - What is it then? I will pray with the spirit, and I will pray with the understanding also : I will sing with the spirit, and I will sing with the understanding also.
Page 364 - There is a tide in the affairs of men Which, taken at the flood, leads on to fortune; Omitted, all the voyage of their life Is bound in shallows and in miseries. On such a full sea are we now afloat; And we must take the current when it serves, Or lose our ventures.
Page 126 - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Page 131 - Let knowledge grow from more to more, But more of reverence in us dwell; That mind and soul, according well, May make one music as before, But vaster.
Page 230 - I knew a very wise man so much of Sir Chr — 's sentiment, that he believed if a man were permitted to make all the ballads, he need not care who should make the laws of a nation.
Page 345 - So likewise ye, except ye utter by the tongue words easy to be understood, how shall it be known what is spoken? for ye shall speak into the air.
Page 353 - Eftsoones they heard a most melodious sound, Of all that mote delight a dainty ear, Such as at once might not on living ground, Save in this paradise, be heard elsewhere...
Page 47 - I do embrace it; for even that vulgar and tavern music, which makes one man merry, another mad, strikes in me a deep fit of devotion, and a profound contemplation of the first composer.
Page 301 - twill pass for wit; Care not for feeling — pass your proper jest, And stand a critic, hated yet caress'd. And shall we own such judgment? no— as soon Seek roses in December— ice in June; Hope constancy in wind, or corn in chaff; Believe a woman or an epitaph, Or any other thing that's false, before You trust in critics, who themselves are sore Or yield one single thought to be misled By Jeffrey's heart, or Lambe's Boeotian head.