A Midsummer Night's Dream: Critical EssaysDorothea Kehler This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
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Page xii
... Peter Brook's Titus Andronicus) in 1955), and even interviews with directors and/or actors. Editors have also included photographs from productions around the World to help readers see and further appreciate the way a Shakespearean play ...
... Peter Brook's Titus Andronicus) in 1955), and even interviews with directors and/or actors. Editors have also included photographs from productions around the World to help readers see and further appreciate the way a Shakespearean play ...
Page 48
... Peter Brook's pivotal Royal Shakespeare Company production that consequently actualized various misogynous readings. Alan Howard, who played Oberon and Theseus, explained to interviewer/editor Glenn Loney (1974) that the changeling is ...
... Peter Brook's pivotal Royal Shakespeare Company production that consequently actualized various misogynous readings. Alan Howard, who played Oberon and Theseus, explained to interviewer/editor Glenn Loney (1974) that the changeling is ...
Page 49
... Brook's work and the reception of this production. Roger Warren (1983), in his Text and Performance volume, devotes part 2 to productions by Peter Hall (whose interpretation Warren prefers), Peter Brook, Robin Phillips, and Elijah ...
... Brook's work and the reception of this production. Roger Warren (1983), in his Text and Performance volume, devotes part 2 to productions by Peter Hall (whose interpretation Warren prefers), Peter Brook, Robin Phillips, and Elijah ...
Page 53
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