Nature's Sternest Painter: Five Essays on the Poetry of George Crabbe |
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Page 11
... refers 30 Edmund Wilson , The Wound and the Bow , New York , 1947 . 31 " He wrote upon every occasion , and without occasion . . . and began to think of succeeding in the highest line of composition , before he had made one good and ...
... refers 30 Edmund Wilson , The Wound and the Bow , New York , 1947 . 31 " He wrote upon every occasion , and without occasion . . . and began to think of succeeding in the highest line of composition , before he had made one good and ...
Page 106
... refers when he says that Crabbe challenged certain theories of nature and of beauty current in 22 I take the " or " in the fourth line from the end as meaning " or rather . " If it is read as meaning " or else " the argument is somewhat ...
... refers when he says that Crabbe challenged certain theories of nature and of beauty current in 22 I take the " or " in the fourth line from the end as meaning " or rather . " If it is read as meaning " or else " the argument is somewhat ...
Page 107
... refers in quite unlikely places , 25 and although he did not so use it , he might have used this theory of perception ( if so slight a thing can be dignified by so formidable a term ) as a defense of his occasionally somewhat unlikely ...
... refers in quite unlikely places , 25 and although he did not so use it , he might have used this theory of perception ( if so slight a thing can be dignified by so formidable a term ) as a defense of his occasionally somewhat unlikely ...
Contents
CRABBE AND THE EIGHTEENTH CENTURY | 1 |
CRABBE IN THE ROMANTIC MOVEMENT | 57 |
CRABBE AS NATURE POET | 88 |
Copyright | |
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able actually already appear become believe Borough brothers century certainly characters clearly common concerned considered couplet Crabbe Crabbe's criticism detail discussion doubt earlier early effect eighteenth century English entirely essay example fact feel fiction friends George give Hall happy hope Huchon human important indicate individual interest Johnson kind later least less letter lines living London look matter means mind moral narrative nature never notice object observation Parish Register particular passage perhaps Peter Grimes poem poet poetic poetry poor possible present probably quoted reader realistic reason refers reflection remarks Review romantic satire scene seems sense sentimental shows social story tale Tales things thought tion tradition true truth turn understand University verse Village whole Wordsworth writing wrote