Word as Bond in English Literature from the Middle Ages to the RestorationFor centuries, the transmission of power in feudal European society depended on a code of fidelity, of political allegiance, and truth to one's word. The word as bond extended to include not only the pledge of allegiance between subject and king, but the troth-plight between lovers, the vow of friendship, and the judicial oath. Society was ultimately based upon a gentleman's or gentlewoman's word that was itself underwritten by the Word of God. J. Douglas Canfield argues that English literature of the feudal epoch placed this master trope of word as bond at the center of conflict. The trope does not passively reflect social reality; rather, it helps to define, to constitute the society and its values. Both society and literature were preoccupied by the contest between fidelity on the one hand and its antithesis, betrayal (with the political and sexual anarchy that it threatened) on the other. In literature, the conflict was usually resolved through supernatural aid, the intervention of the Logos, which guaranteed the validity of the word. Canfield analyzes over 25 representative works, focusing on Chaucer, Shakespeare, and Dryden, in the five dominant modes of aristocratic literature-romance, comedy, lyric, tragedy, and satire. In each chapter, he offers three examples, one from the Middle Ages, one from the Renaissance, and one from the Restoration. Canfield's study proceeds synchronically, attempting to show that the trope is always under stress. The language of heroic romance coexists with the language of subversive comedy and absurdist satire. In an Afterword, he suggests why the trope disappears--not from the discourse, where it remains to this day, but from the center of conflict in English literature after 1688. |
From inside the book
Results 1-3 of 59
... society defined itself . That is , the cul- ture determined its central vir - tue in a literal sense , the quality essen- tial to the men that hold the power ( see Nietzsche , Genealogy of Morals ) , as a bond which guards against that ...
... society ( read : feudal patriarchal society and see Leonard Tennen- house , Power on Display , 102-5 for Elizabeth [ and thus the Faerie Queene herself ] as patriarchal ruler ) together and protect it from chaos are words of promise ...
... society is neutralized : Either they suffer a poetical justice of some sort , their energy dissipated or ban- ished or forceably restrained , or they are socialized into the bonds of society , their energy saved for productive use ...
Contents
HEROIC ROMANCE | 3 |
TRAGICOMIC ROMANCE | 45 |
SOCIAL COMEDY | 83 |
Copyright | |
8 other sections not shown