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And lowlier names, whose humble home

Is lit by Fortune's dimmer star,
Are there-o'er wave and mountain come,
From countries near and far;

Pilgrims whose wandering feet have pressed
The Switzer's snow, the Arab's sand,
Or trod the piled leaves of the west,
My own green forest-land.

All ask the cottage of his birth,

Gaze on the scenes he loved and sung,
And gather feelings not of earth
His fields and streams among.

They linger by the Doon's low trees,

And pastoral Nith, and wooded Ayr, And round thy sepulchres, Dumfries! The poet's tomb is there.

But what to them the sculptor's art,

His funeral columns, wreaths, and urns?
Wear they not graven on the heart
The name of Robert Burns?

"Tis Liberty's bold note I swell,
Thy harp, Columbia, let me take.
See gathering thousands, while I sing,
A broken chain exulting bring
And dash it in a tyrant's face!
And dare him to his very beard,
And tell him he no more is feared.
No more the Despot of Columbia's race:

A tyrant's proudest insults braved,

They shout, a People freed! they hail an Empire saved.

Where is man's godlike form?

Where is that brow erect and bold,

That eye that can, unmoved, behold
The wildest rage, the loudest storm,
That e'er created fury dared to raise!
Avaunt! thou caitiff, servile, base,
That tremblest at a Despot's nod;

Yet, crouching under the iron rod,

Canst laud the arm that struck the insulting blow!
Art thou of man's imperial line?

Dost boast that countenance divine?
Each skulking feature answers, No!
But come, ye sons of Liberty,
Columbia's offspring, brave as free,

In danger's hour still flaming in the van,

Ye know, and dare maintain, the Royalty of Man.
Alfred, on thy starry throne,
Surrounded by the tuneful choir,

And roused the free-born Briton's soul of fire,
No more thy England own.

Dare injured nations form the great design

To make detested tyrants bleed?
Thy England execrates the glorious deed!
Beneath her hostile banners waving,
Every pang of honour braving,

The following ode, the only poem Burns ever wrote in reference to America, is not to be found in any edition of his works. The Editor has great pleasure in now giving it a place among his other writings, and in stating The Bards that erst have struck the patriot lyre, that it is copied from Burns' original manuscript. The last stanza was included in a letter to Mrs. Dunlop, dated from CastleDouglas, 25th June, 1794. Of it he writes to her: "I am just going to trouble your critical patience with the first sketch of a stanza I have been framing as I passed along the road. The subject is Liberty; you know, my honoured friend, how dear the theme is to me. I design it as an irregular ode for General Washington's birthday. After having mentioned the degeneracy of other kingdoms, I come to Scotland, thus:" Then follows the stanza, though with some changes. Instead of the 11th and 12th lines, he gives:

"Is this the power in freedom's war
That wont to bid the battle rage?"

Then he changes the last lines as follows:

"Behold that eye which shot immortal hate,
Braved usurpation's boldest daring!

That arm which, nerved with thundering fate,
Crushed the despot's proudest bearing;
One quenched in darkness like a sinking star,
And one the palsied arm of tottering, powerless age."

ODE FOR WASHINGTON'S BIRTHDAY.

No Spartan tube, no Attic shell,

No lyre Eolian I awake;

England in thunder calls-"The Tyrant's cause is
mine!"

That hour accurst, how did the fiends rejoice,
And hell thro' all her confines raise th' exulting voice—
That hour which saw the generous English name
Linkt with such damned deeds of everlasting shame!
Thee, Caledonia, thy wild heaths among,
Famed for the martial deed, the heaven-taught song,
To thee I turn with swimming eyes.
Where is that soul of Freedom fled?

Immingled with the mighty Dead!

Beneath that hallowed turf where Wallace lies!
Hear it not, Wallace, in thy bed of death!
Ye babbling winds in silence sweep;
Disturb not ye the hero's sleep,

Nor give the coward secret breath.

Is this the ancient Caledonian form,

Firm as her rock, resistless as her storm?

Show me that eye which shot immortal hate,

Blasting the Despot's proudest bearing;

Show me that arm, which, nerved with thundering
fate,

Braved Usurpation's boldest daring!
Dark quenched as yonder sinking star,

No more that glance lightens afar;

That palsied arm no more whirls on the waste of

war.

THE COTTER'S SATURDAY NIGHT.1

"Let not ambition mock their useful toil,

Their homely joys, and destiny obscure;
Nor grandeur hear, with a disdainful smile,

The short and simple annals of the poor."-GRAY.

My loved, my honoured, much-respected friend! | Wi' joy unfeigned, brothers and sisters meet,
No mercenary bard his homage pays;
With honest pride I scorn each selfish end,

My dearest meed a friend's esteem and praise.
To you I sing, in simple Scottish lays,

The lowly train in life's sequestered scene;
The native feelings strong, the guileless ways—
What Aiken in a cottage would have been;
Ah! tho' his worth unknown, far happier there,
I ween.

November chill blaws loud wi' angry sugh;

The shortening winter day is near a close; The miry beasts retreating frae the pleugh,

The black'ning trains o' craws to their repose. The toil-worn cotter frae his labour goes

This night his weekly moil is at an endCollects his spades, his mattocks, and his hoes, Hoping the morn in ease and rest to spend; And weary, o'er the moor, his course does hamǝward bend.

At length his lonely cot appears in view,
Beneath the shelter of an aged tree;

Th' expectant wee things, todlin', stacher thro'
To meet their dad wi' flichterin' noise and glee.
His wee bit ingle blinkin' bonnilie,

An' each for other's weelfare kindly spiers;
The social hours, swift-winged, unnoticed fleet;
Each tells the uncos that he sees or hears;
The parents, partial, eye their hopeful years-
Anticipation forward points the view.
The mother, wi' her needle an' her sheers,
Gars auld claes look amaist as weel's the new;
The father mixes a' wi' admonition due:

Their masters' and their mistresses' command
The younkers a' are warned to obey,
An' mind their labours wi' an eydent hand,
An' ne'er, tho' out o' sight, to jauk or play;
An' O! be sure to fear the Lord alway!

An' mind your duty, duly, morn an' night!
Lest in temptation's path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain that sought the
Lord aright!

But hark! a rap comes gently to the door;
Jenny, wha kens the meaning o' the same,
Tells how a neebor lad cam o'er the moor

To do some errands, and convoy her hame.
The wily mother sees the conscious flame
Sparkle in Jenny's e'e, and flush her check;

His clean hearth - stane, his thriftie wifie's Wi' heart-struck, anxious care, inquires his name,

smile,

The lisping infant prattling on his knee,

Does a' his weary, carking cares beguile,
An' makes him quite forget his labour and his
toil.

Belyve the elder bairns come drappin' in,

At service out, amang the farmers roun';
Some ca' the pleugh, some herd, some tentie rin
A cannie errand to a neebor town.
Their eldest hope, their Jenny, woman grown,

In youthfu' bloom, love sparkling in her ee,
Comes hame, perhaps, to show a braw new gown,
Or deposit her sair-won penny-fee,

To help her parents dear, if they in hardship be.

1 Who is not happy to turn to the noblest poem that genius ever dedicated to domestic devotion-"The Cotter's Saturday Night."-Professor Wilson.

"The Cotter's Saturday Night" is a noble and pathetic picture of human manners, mingled with a fine religious awe. It comes over the mind like a slow and solemn strain of music. The soul of the poet aspires from this scene of low-thoughted care, and reposes on "the bosom of its Father and its God."-William Hazlitt.

While Jenny hafflins is afraid to speak;
Weel pleased the mother hears it's nae wild,
worthless rake.

Wi' kindly welcome, Jenny brings him ben-
A strappan youth, he taks the mother's eye;
Blythe Jenny sees the visit's no ill ta'en;

The father cracks of horses, pleughs, and kye;
The youngster's artless heart o'erflows wi' joy;

But blate and laithfu', scarce can weel behave;
The mother, wi' a woman's wiles, can spy
What makes the youth sae bashfu' and sae
grave

Weel pleased to think her bairn's respected
like the lave.

O happy love! where love like this is found!
O heartfelt raptures! bliss beyond compare!
I've paced much this weary mortal round,
And sage experience bids me this declare--
If Heaven a draught of heavenly pleasure spare,
One cordial in this melancholy vale,

'Tis when a youthful, loving, modest pair,
In other's arms breathe out the tender tale,
Beneath the milk-white thorn that scents the
evening gale.

Is there in human form that bears a heart,

A wretch, a villain, lost to love and truth, That can, with studied, sly, ensnaring art,

Betray sweet Jenny's unsuspecting youth? Curse on his perjured arts! dissembling smooth! Are honour, virtue, conscience, all exiled? Is there no pity, no relenting ruth,

Points to the parents fondling o'er their childThen paints the ruined maid, and their distraction wild?

But now the supper crowns their simple board: The halesome parritch, chief o' Scotia's food; The soup their only hawkie does afford,

That 'yont the hallan snugly chows her cud; The dame brings forth, in complimental mood, To grace the lad, her weel-hained kebbuck fell, An' aft he's pressed, an' aft he ca's it good; The frugal wifie, garrulous, will tell How 'twas a towmond auld, sin' lint was i' the bell.

The cheerfu' supper done, wi' serious face

They, round the ingle, form a circle wide; The sire turns o'er, wi' patriarchal grace,

The big Ha'-Bible, ance his father's pride: His bonnet rev'rently is laid aside,

His lyart haffets wearin' thin and bare; Those strains that once did sweet in Zion glide, He wales a portion with judicious care; And "Let us worship God," he says with solemn air.

They chant their artless notes in simple guise;
They tune their hearts, by far the noblest aim;
Perhaps Dundee's wild, warbling measures rise,
Or plaintive Martyrs, worthy of the name;
Or noble Elgin beets the heavenward flame-
The sweetest far o' Scotia's holy lays;
Compared with these Italian trills are tame;

The tickled ear no heartfelt raptures raise-
Nae unison hae they with our Creator's praise.

The priest-like father reads the sacred page: How Abraham was the friend of God on high; Or Moses bade eternal warfare wage

With Amalek's ungracious progeny; Or how the royal bard did groaning lie Beneath the stroke of Heaven's avenging ire; Or Job's pathetic plaint, and wailing cry; Or rapt Isaiah's wild, seraphic fire; Or other holy seers that tune the sacred lyre. Perhaps the Christian volume is the theme: How guiltless blood for guilty man was shed; How He, who bore in heaven the second name, Had not on earth whereon to lay His head; How his first followers and servants spedThe precepts sage they wrote to many a land; How he, who, lone in Patmos banished,

Saw in the sun a mighty angel stand, And heard great Bab'lon's doom pronounced by Heaven's command.

Then kneeling down to Heaven's eternal King, The saint, the father, and the husband prays: Hope "springs exulting on triumphant wing," That thus they all shall meet in future days; There ever bask in uncreated rays,

No more to sigh, or shed the bitter tear-
Together hymning their Creator's praise,
In such society, yet still more dear,
While circling time moves round in an eternal
sphere.

Compared with this, how poor religion's pride,
In all the pomp of method and of art,
When men display to congregations wide

Devotion's every grace except the heart!
The Power, incensed, the pageant will desert,
The pompous strain, the sacerdotal stole;
But haply, in some cottage far apart,
May hear, well pleased, the language of the
soul,

And in His book of life the inmates poor enrol.

Then homeward all take off their sev'ral way;
The youngling cottagers retire to rest;
The parent-pair their secret homage pay,

And proffer up to Heaven the warm request That He who stills the ravens' clam'rous nest, And decks the lily fair in flowery pride, Would, in the way His wisdom sees the best,

For them and for their little ones provide-But chiefly in their hearts with grace divine preside.

From scenes like these old Scotia's grandeur springs,

That makes her loved at home, revered abroad, Princes and lords are but the breath of kings"An honest man's the noblest work of God;" And, certes, in fair virtue's heavenly road,

The cottage leaves the palace far behind. What is a lordling's pomp? a cumbrous load, Disguising oft the wretch of human kind, Studied in arts of hell, in wickedness refined!

O Scotia! my dear, my native soil!

For whom my warmest wish to Heaven is sent! Long may thy hardy sons of rustic toil

Be blest with health, and peace, and sweet

content!

And, O! may Heaven their simple lives prevent
From luxury's contagion weak and vile!
Then, howe'er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-
loved isle.

O Thou! who poured the patriotic tide That streamed through Wallace's undaunted heart

Who dared to nobly stem tyrannic pride,

Or nobly die, the second glorious part—

(The patriot's God peculiarly Thou art-His friend, inspirer, guardian, and reward!) O never, never Scotia's realm desert;

But still the patriot and the patriot bard In bright succession raise, her ornament and guard!

TAM O' SHANTER.1

"Of Brownyis and of Bogilis full is this Buke." GAWIN DOUGLAS.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An' folk begin to tak the gate;
While we sit bousing at the nappy,
An' getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam' o' Shanter, As he, frae Ayr, ae night did canter (Auld Ayr, wham ne'er a town surpasses For honest men and bonnie lassies).

O Tam! hadst thou but been sae wise As ta'en thy ain wife Kate's advice! She tauld thee weel thou was a skellum, A bleth'ring, blust'ring, drunken blellum; That frae November till October Ae market-day thou was na sober; That ilka melder, wi' the miller, Thou sat as lang as thou had siller; That every naig was ca'd a shoe on, The smith and thee gat roaring fou on; That at the L-d's house, ev'n on Sunday, Thou drank wi' Kirton Jean till Monday. She prophesy'd that, late or soon, Thou would be found deep drown'd in Doon, Or catch'd wi' warlocks in the mirk, By Alloway's auld haunted kirk.

"In the inimitable tale of 'Tam o' Shanter' he has left us sufficient evidence of his ability to combine the ludicrous with the awful, and even horrible. No poet, with the exception of Shakspere, ever possessed the power of exciting the most varied and discordant emotions with such rapid transitions."-Sir Walter Scott.

"To the last Burns was of opinion that 'Tam o' Shanter' was the best of all his productions; and although it does not always happen that poet and public come to the same conclusion on such points, I believe the decision in question has been all but unanimously approved of." -John Gibson Lockhart.

Ah, gentle dames! it gars me greet To think how monie counsels sweet, How monie lengthened sage advices, The husband frae the wife despises!

But to our tale: ae market night Tam had got planted unco right, Fast by an ingle, bleezing finely, Wi' reaming swats that drank divinely; And at his elbow souter Johnny, His ancient, trusty, drouthy cronyTam lo'ed him like a vera britherThey had been fou for weeks thegither. The night drave on wi' sangs and clatter; And ay the ale was growing better. The landlady and Tam grew gracious, Wi' favours secret, sweet, and precious; The souter tauld his queerest stories; The landlord's laugh was ready chorus; The storm without might rair and rustle, Tam didna mind the storm a whistle.

Care, mad to see a man sae happy, E'en drowned himself amang the nappy; As bees flee hame wi' lades o' treasure, The minutes winged their way wi' pleasure; Kings may be blest, but Tam was glorious, O'er a' the ills o' life victorious.

But pleasures are like poppies spread,
You seize the flower, its bloom is shed;
Or like the snow-fall in the river,
A moment white-then melts for ever;
Or like the borealis race,

That flit ere you can point their place;
Or like the rainbow's lovely form
Evanishing amid the storm.

Nae man can tether time or tide;
The hour approaches Tam maun ride-
That hour o' night's black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he takes the road in
As ne'er poor sinner was abroad in.

The wind blew as 'twad blaw its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed;
That night a child might understand
The deil had business on his hand.

Weel mountit on his gray mare, Mer (A better never lifted leg), Tam skelpit on thro' dub and mire, Despising wind, and rain, and fireWhyles holding fast his guid blue bonnet, Whyles crooning o'er some old Scots sonnet, Whyles glow'ring round wi' prudent cares, Lest bogles catch him unawares;

Kirk-Alloway was drawing nigh,
Where ghaists and houlets nightly cry.

By this time he was cross the ford,
Where in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak 's neck bane;
And through the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo's mither hang'd hersel'.
Before him Doon pours all his floods:
The doubling storm roars through the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When glimmering thro' the groaning trees,
Kirk-Alloway seem'd in a bleeze;
Thro' ilka bore the beams were glancing,
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst make us scorn!
Wi' tippenny we fear nae evil;
Wi' usquebae we'll face the devil!-

The swats sae ream'd in Tammie's noddle,
Fair play, he car'd na deils a bodle.
But Maggie stood right sair astonish'd,
Till, by the heel and hand admonish'd,
She ventured forward on the light;
And, vow! Tam saw an unco sight-
Warlocks and witches in a dance:
Nae cotillion brent new frae France,
But hornpipes, jigs, strathspeys, and reels
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o' beast-
A towzie tyke, black, grim, and large-
To gie them music was his charge;
He screw'd the pipes and gart them skirl,
Till roof and rafters a' did dirl.
Coffins stood round like open presses,
That shaw'd the dead in their last dresses;
And by some devilish cantrip sleight
Each in its cauld hand held a light-
By which heroic Tam was able

To note upon the haly table,

A murderer's banes in gibbet airns;
Twa span-lang, wee, unchristen'd bairns;
A thief, new cutted frae a rape,
Wi' his last gasp his gab did gape;
Five tomahawks, wi' bluid red rusted;
Five scimitars, wi' murder crusted;
A garter which a babe had strangled;
A knife a father's throat had mangled,
Whom his ain son o' life bereft-
The gray hairs yet stack to the heft;
Wi' mair o' horrible and awfu',
Which ev'n to name wad be unlawfu'.

As Tammie glower'd, amazed, and curious, The mirth and fun grew fast and furious; The piper loud and louder blew; The dancers quick and quicker flew; They reeled, they set, they crossed, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linkit at it in her sark.

Now Tam, O Tam! had they been queans A' plump and strapping in their teens: Their sarks, instead o' creeshie flannen, Been snaw-white seventeen-hunder linen; Thir breeks o' mine, my only pair, That ance were plush o' guid blue hair, I wad hae gi'en them aff my hurdies, For ae blink o' the bonnie burdies!

But withered beldams auld and droll, Rigwoodie hags wad spean a foal, Louping an' flinging on a crummockI wonder didna turn thy stomach.

But Tam kenn'd what was what fu' brawlie. There was ae winsome wench and walie, That night enlisted in the core, (Lang after kenn'd on Carrick shore: For monie a beast to dead she shot, And perish'd monie a bonnie boat, And shook baith meikle corn and bere And kept the country-side in fear), Her cutty-sark o' Paisley harn, That while a lassie she had wornIn longitude tho' sorely scanty, It was her best, and she was vauntie. Ah! little kenn'd thy reverend grannie That sark she coft for her wee Nannie, Wi' twa pund Scots ('twas a' her riches), Wad ever grac'd a dance o' witches!

But here my muse her wing maun cow'r,
Sic flights are far beyond her pow'r;
To sing how Nannie lap and flang,
(A souple jade she was and strang);
And how Tam stood, like ane bewitch'd,

And thought his very een enrich'd.
Ev'n Satan glowr'd, and fidg'd fu' fain,
And hotch'd and blew wi' might and main,
Till first ae caper, syne anither-
Tam tint his reason a' thegither,
And roars out, Weel done, Cutty sark!
And in an instant all was dark;
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi' angry fyke,
When plundering herds assail their byke;
As open pussie's mortal foes,

When pop! she starts before their nose;

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