he would deserve to be kicked for his ill manners; yet no less is implied in the fact, that having access and opportunity of putting the question to her, he has never yet thought fit to do it. The young woman understands this as clearly as if it were put into words; but no reasonable young woman would think of making this the ground of a quarrel. Just as little right have a married couple to tell me by speeches, and looks that are scarce less plain than speeches, that I am not the happy man, the lady's choice. It is enough that I know I am not: I do not want this perpetual reminding. The display of superior knowledge or riches may be made sufficiently mortifying; but these admit of a palliative. The knowledge which is brought out to insult me, may accidentally improve me; and in the rich man's houses and pictures, his parks and gardens, I have a temporary usufruct at least. But the display of married happiness has none of these palliatives: it is throughout pure, unrecompensed, unqualified insult. Marriage by its best title is a monopoly, and not of the least invidious sort. It is the cunning of most possessors of any exclusive privilege to keep their advantage as much out of sight as possible, that their less favoured neighbours, seeing little of the benefit, may the less be disposed to question the right. But these married monopolists thrust the most obnoxious part of their patent into our faces. Nothing is to me more distasteful than that entire complacency and satisfaction which beam in the countenances of a new-married couple, in that of the lady particularly: it tells you, that her lot is disposed of in this world; that you can have no hopes of her. It is true, I have none; nor wishes either perhaps; but this is one of those truths which ought, as I said before, to be taken for granted, not expressed. The excessive airs which those people give themselves, founded on the ignorance of us unmarried people, would be more offensive if they were less irrational. We will allow them to understand the mysteries belonging to their own craft better than we who have not had the happiness to be made free of the company: but their arrogance is not content within these limits. If a single person presume to offer his opinion in their presence, though upon the most indifferent subject, he is immediately silenced as an incompetent person. Nay, a young married lady of my acquaintance, who, the best of the jest was, had not changed her condition above a fortnight before, in a question on which I had the misfortune to differ from her, respecting the properest mode of breeding oysters for the London market, had the assurance to ask with a sneer, how such an old bachelor as I could pretend to know any thing about such matters. But what I have spoken of hitherto is nothing to the airs which these creatures give themselves when they come, as they generally do, to have children. When I consider how little of a rarity children are,—that every street and blind alley swarms with them,-that the poorest people commonly have them in most abundance,—that there are few marriages that are not blest with at least one of these bargains-how often they turn out ill, and defeat the fond hopes of their parents, taking to vicious courses, which end in poverty, disgrace, the gallows, &c.-I cannot for my life tell what cause for pride there can possibly be in having them. If they were young phoenixes, indeed, that were born but one in a year, there might be a pretext. But when they are so com mon I do not advert to the insolent merit which they assume with their husbands on these occasions. Let them look to that. But why we, who are not their natural-born subjects, should be expected to bring our spices, myrrh, and incense,―our tribute and homage of admiration,— I do not see. "Like as the arrows in the hand of the giant, even so are the young children:" so says the excellent office in our Prayer-Book appointed for the churching of women. "Happy is the man that hath his quiver full of them :" so say I; but then don't let him discharge his quiver upon us that are weaponless;-let them be arrows, but not to gall and stick us. I have generally observed that these arrows are double-headed; they have too forks, to be sure to hit with one or the other. As for instance, where you come into a house which is full of children, if you happen to take no notice of them (you are thinking of something else, perhaps, and turn a deaf ear to their innocent caresses) you are set down as untractable, morose, a hater of children. On the other hand, if you find them more than usually engaging, if you are taken with their pretty manners, and set about in earnest to romp and play with them, some pretext or other is sure to be found for sending them out of the room; they are too noisy or boisterous, or Mr. does not like children. With one or other of these forks the arrow is sure to hit you. I could forgive their jealousy, and dispense with toying with their brats, if it gives them any pain; but I think it unreasonable to be called upon to love them, where I see no occasion,-to love a whole family, perhaps eight, nine, or ten, indiscriminately,-to love all the pretty dears, because children are so engaging. I know there is a proverb, "Love me, love my dog" that is not always so very practicable, particularly if the dog be set upon you to tease you or snap at you in sport. But a dog, or a lesser thing, any inanimate substance, as a keepsake, a watch or a ring, a tree, or the place where we last parted when my friend went away upon a long absence, I can make shift to love, because I love him, and any thing that reminds me of him; provided it be in its nature indifferent, and apt to receive whatever hue fancy can give it. But children have a real character and an essential being of themselves: they are amiable or unamiable per se; I must love or hate them as I see cause for either in their qualities. A child's nature is too serious a thing to admit of its being regarded as a mere appendage to another being, and to be loved or hated accordingly; they stand with me upon their own stock, as much as men and women do. Oh! but you will say, sure it is an attractive age, there is something in the tender years of infancy that of itself charms us. That is the very reason why I am more nice about them. I know that a sweet child is the sweetest thing in nature, not even excepting the delicate creatures which bear them; but the prettier the kind of a thing is, the more desirable it is that it should be pretty of its kind. One daisy differs not much from another in glory; but a violet should look and smell the daintiest. I was always rather squeamish in my women and children. | pose ;-till at last the husband, who used to defer Another way (for the ways they have to accomplish so desirable a purpose are infinite) is, with a kind of innocent simplicity, continually to mistake what it was which first made their husband fond of you. If an esteem for something excellent in your moral character was that which riveted the chain which she is to break, upon any imaginary discovery of a want of poignancy in your conversation, she will cry, "I thought, my dear, you described your friend, Mr. as But this is not the worst: one must be admitted into their familiarity at least, before they can complain of inattention. It implies visits, and some kind of intercourse. But if the husband be a man with whom you have lived on a friendly footing before marriage,—if you did not come in on the wife's side, if you did not sneak into the house in her train, but were an old friend in fast habits of intimacy before their courtship was so much as thought on,-look about you-your tenure is precarious-before a twelvemonth shall roll over your head, you shall find your old friend gradually grow cool and altered towards you, and at last seek opportunities of breaking with you. I have scarce a married friend of my acquaintance, upon whose firm faith I can rely, whose friendship did not commence after the period of his marriage. With some limitations they can endure that; but that the good man should have dared to enter into a solemn league of friendship in which they were not consulted, though it happened before they knew him, before they that are now man and wife ever met,—this is intolerable to them. Every long friendship, every old authentic intimacy, must be brought into their office to be new stamped with their currency, as a sovereign prince calls in the good old money that was coined in some reign before he was born or thought of, to be new marked and minted with the stamp of his authority, before he will let it pass current in the world. You may guess what luck generally befalls such a rusty piece of metal as I am in these new mint-looking man, (I use her very words;) the very ings. Innumerable are the ways which they take to insult and worm you out of their husband's confidence. Laughing at all you say with a kind of wonder, as if you were a queer kind of fellow that said good things, but an oddity, is one of the ways; -they have a particular kind of stare for the pur a great wit." If, on the other hand, it was for some supposed charm in your conversation that he first grew to like you, and was content for this to overlook some trifling irregularities in your moral deportment, upon the first notice of any of these she as readily exclaims, "This, my dear, is your good Mr. One good lady whom I took the liberty of expostulating with for not showing me quite so much respect as I thought due to her husband's old friend, had the candour to confess to me that she had often heard Mr. speak of me before marriage, and that she had conceived a great desire to be acquainted with me, but that the sight of me had very much disappointed her expectations; for from her husband's representations of me, she had formed a notion that she was to see a fine, tall, officer-like reverse of which proved to be the truth. This was candid; and I had the civility not to ask her in return, how she came to pitch upon a standard of personal accomplishments for her husband's friends which differed so much from his own; for my friend's dimensions as near as possible approximate to mine; he standing five feet five in his shoes, in which I have the advantage of him by about half an inch; and he no more than myself exhibiting any indications of a martial character in his air or countenance. These are some of the mortifications which I have encountered in the absurd attempt to visit at their houses. To enumerate them all would be a vain endeavour: I shall therefore just glance at the very common impropriety of which married ladies are guilty,-of treating us as if we were their husbands, and vice versa. I mean, when they use us with familiarity, and their husbands with ceremony. Testacea, for instance, kept me the other night two or three hours beyond my usual time of supping, while she was fretting because Mr. did not come home till the oysters were all spoiled, rather than she would be guilty of the impoliteness of touching one in his absence. This was reversing the point of good manners: for ceremony is an invention to take off the uneasy feeling which we derive from knowing ourselves to be less the object of love and esteem with a fellow-creature than some other person is. It endeavours to make up, by superior attentions in little points, for that invidious preference which it is forced to deny in the greater. Had Testacea kept the oysters back for me, and withstood her husband's importunities to go to supper, she would have acted according to the strict rules of propriety. I know no ceremony that ladies are bound to observe to their husbands, beyond the point of a modest behaviour and decorum: therefore I must protest against the vicarious gluttony of Cerasia, who at her own table sent away a dish of Morellas, which I was applying to with great good will, to her husband at the other end of the table, and recommended a plate of less extraordinary gooseberries to my unwedded palate in their stead. Neither can I exuse the wanton affront of But I am weary of stringing up all my married acquaintance by Roman denominations. Let them amend and change their manners, or I promise to record the full-length English of their names, to the terror of all such desperate offenders in future. ON SOME OF THE OLD ACTORS. THE casual sight of an old Play-Bill, which I picked up the other day-I know not by what chance it was preserved so long-tempts me to call to mind a few of the players, who make the principal figure in it. It presents the cast of parts in the Twelfth Night, at the old Drury-lane Theatre, two-and-thirty years ago. There is something very touching in these old remembrances. They make us think how we once used to read a PlayBill-not, as now, peradventure, singling out a favourite performer, and casting a negligent eye over the rest; but spelling out every name, down to the very mutes and servants of the scene;when it was a matter of no small moment to us whether Whitfield or Packer took the part of Fabian; when Benson, and Burton, and Phillimore-names of small account-had an importance, beyond what we can be content to attribute now to the time's best actors.-"Orsino, by Mr. Barrymore."—What a full Shaksperian sound it carries! how fresh to memory arise the image, and the manner, of the gentle actor! ones. Those who have only seen Mrs. Jordan within the last ten or fifteen years, can have no adequate notion of her performance of such parts as Ophelia; Helena, in All's Well that Ends Well; and Viola in this play. Her voice had latterly acquired a coarseness, which suited well enough with her Nells and Hoydens, but in those days it sank, with her steady melting eye, into the heart. Her joyous parts-in which her memory now chiefly lives-in her youth were outdone by her plaintive There is no giving an account how she delivered the disguised story of her love for Orsino. It was no set speech, that she had foreseen, so as to weave it into an harmonious period, line necessarily following line, to make up the music-yet I have heard it so spoken, or rather read, not without its grace and beauty-but, when she had declared her sister's history to be a "blank," and that she "never told her love," there was a pause, as if the story had ended-and then the image of the "worm in the bud" came up as a new suggestion-and the heightened image of "Patience" still followed after that, as by some growing (and not mechanical) process, thought springing up after thought, I would almost say, as they were watered by her tears. So in those fine lines "Write royal cantos of contemned love Hallow your name to the reverberate hills”— there was no preparation made in the foregoing image for that which was to follow. She used no rhetoric in her passion; or it was nature's own rhetoric, most legitimate then, when it seemed altogether without rule or law. Mrs. Powel, (now Mrs. Renard,) then in the pride of her beauty, made an admirable Olivia. She was particularly excellent in her unbending scenes in conversation with the clown. I have seen some Olivias and those very sensible actresses toowho in these interlocutions have seemed to set their wits at the jester, and to vie conceits with him in downright emulation. But she used him for her sport, like what he was, to trifle a leisure sentence or two with, and then to be dismissed, and she to be the Great Lady still. She touched the imperious fantastic humour of the character with nicety. Her fine spacious person filled the scene. The part of Malvolio has in my judgment been so often misunderstood, and the general merits of the actor, who then played it, so unduly appreciated, that I shall hope for pardon, if I am a little prolix upon these points. Of all the actors who flourished in my time a melancholy phrase if taken aright, reader Bensley had most of the swell of soul, was greatest in the delivery of heroic conceptions, the emotions consequent upon the presentment of a great idea to the fancy. He had the true poetical enthusiasm the rarest faculty among players. None that I remember possessed even a portion of that fine madness which he threw out in Hotspur's famous rant about glory, or the transports of the Venetian incendiary at the vision of the fired city. His voice had the dissonance, and at times the inspiriting effect of the trumpet. His gait was uncouth and stiff, but no way embarrassed by affectation; and the thorough-bred gentleman was uppermost in every movement. He seized the moment of passion with the greatest truth; like a faithful clock, never striking before the time; never anticipating or leading you to anticipate. He was totally destitute of trick and artifice. He seemed come upon the stage to do the poet's message simply, and he did it with as genuine fidelity as the nuncios in Homer deliver the errands of the gods. He let the passion or the sentiment do its own work without prop or bolstering. He would have scorned to mountebank it; and betrayed none of that cleverness which is the bane of serious acting. For this reason, his lago was the only endurable one which I remember to have seen. No spectator from his action could divine more of his artifice than Othello was supposed to do. His confessions in soliloquy alone put you in possession of the mystery. There were no by-intimations to make the audience fancy their own discernment so much greater than that of the Moor-who commonly stands like a great helpless mark set up for mine Ancient, and a quantity of barren spectators, to shoot their bolts at. The Iago of Bensley did not go to work so grossly. There was a triumphant tone about the character, natural to a general consciousness of power; but none of that petty vanity which chuckles and cannot contain itself upon any little successful stroke of its knavery as is common with your small villains, and green probationers in mischief. It did not clap or crow before its time. It was not a man setting his wits at a child, and winking all the while at other children who are mightily pleased at being let into the secret; but a consummate villain entrapping a noble nature into toils, against which no discernment was available, where the manner was as fathomless as the purpose seemed dark, and without motive. The part of Malvolio, in the Twelfth Night, was performed by Bensley, with a richness and a dignity, of which (to judge from some recent castings of that character) the very tradition must be worn out from the stage. No manager in those days would have dreamed of giving it to Mr. Baddeley, or Mr. Parsons: when Bensley was occasionally absent from the theatre, John Kemble thought it no derogation to succeed to the part. Malvolio is not essentially | ludicrous. He becomes comic but by accident. He is cold, austere, repelling; but dignified, consistent, and for what appears, rather of an overstretched morality. Maria describes him as a sort of Puritan; and he might have worn his gold chain with honour in one of our old roundhead families, in the service of a Lambert, or a Fairfax. But his morality and his manners are misplaced in Illyria. He is opposed to the proper levities of the piece, and falls in the unequal contest. Still his pride, or his gravity, (call it which you will,) is inherent, and native to the man, not mock or affected, which latter only are the fit objects to excite laughter. His quality is at the best unlovely, but neither buffoon nor contemptible. His bearing is lofty, a little above his station, but probably not much above his deserts. We see no reason why he should not have been brave, honourable, accomplished. His careless committal of the ring to the ground, (which he was commissioned to restore to Cesario,) bespeaks a generosity of birth and feeling. His dialect on all occasions is that of a gentleman, and a man of education. We must not confound him with the eternal old, low steward of comedy. He is master of the household to a great princess; a dignity probably conferred upon him for other respects than age or length of service. Olivia, at the first indication of his supposed madness, declares that she "would not have him miscarry for half her dowry." Does this look as if the character was meant to appear little or insignificant? Once, indeed, she accuses him to his face -of what?-of being "sick of self-love,"-but with a gentleness and considerateness which could not have been, if she had not thought that this particular infirmity shaded some virtues. His rebuke to the knight, and his sottish revellers, is sensible and spirited; and when we take into consideration the unprotected condition of his mistress, and the strict regard with which her state of real or dissembled mourning would draw the eyes of the world upon her house-affairs, Malvolio might feel the honour of the family in some sort in his keeping; as it appears not that Olivia had any more brothers, or kinsmen, to look to it— for Sir Toby had dropped all such nice respects at the buttery hatch. That Malvolio was meant to be represented as possessing estimable quali ties, the expression of the Duke in his anxiety to have him reconciled, almost infers. "Fursue him, and entreat him to a peace." Even in his abused state of chains and darkness, a sort of greatness seems never to desert him. He argues highly and well with the supposed Sir Topas, and philosophises gallantly upon his straw.* There *Clown. What is the opinion of Pythagoras concerning wild fowl? Mal. That the soul of our grandam might haply inhabit a bird. Clown. What thinkest thou of his opinion? Mal. I think nobly of the soul, and no way approve of his opinion. must have been some shadow of worth about the man; he must have been something more than a mere vapour-a thing of straw, or Jack in office -before Fabian and Maria could have ventured sending him upon a courting errand to Olivia. There was some consonancy (as he would say) in the undertaking, or the jest would have been too bold even for that house of misrule. others. You could see the first dawn of an idea stealing slowly over his countenance, climbing up by little and little, with a painful process, till it cleared up at last to the fulness of a twilight conception-its highest meridian. He seemed to keep back his intellect, as some have had the power to retard their pulsation. The balloon takes less time in filling, than it took to cover the expansion of his broad moony face over all its quarters with expression. A glimmer of understanding would appear in a corner of his eye, and for lack of fuel go out again. A part of his forehead would catch a little intelligence, and be a long time in communicating it to the remainder. I am ill at dates, but I think it is now better than five-and-twenty years ago that walking in the gardens of Gray's Inn-they were then far finer than they are now-the accursed Verulam Buildings had not encroached upon all the east side of them, cutting out delicate green crankles, and shouldering away one or two of the stately alcoves of the terrace-the survivor stands gaping and relationless as if it remembered its brotherthey are still the best gardens of any of the Inns of Court, my beloved Temple not forgotten-have the gravest character, their aspect being altogether reverend and law-breathing-Bacon has left the impress of his foot upon their gravel walkstaking my afternoon solace on a summer day upon the aforesaid terrace, a comely sad personage came towards me, whom, from his grave air and deportment, I judged to be one of the old Benchers of the Inn. He had a serious thoughtful forehead, and seemed to be in meditations of mortality. As I have an instinctive awe of old Benchers, I was passing him with that sort of subindicative token of respect which one is apt to demonstrate toward a venerable stranger, and which rather denotes an inclination to greet him than any positive motion of the body to that Bensley, accordingly, threw over the part an air of Spanish loftiness. He looked, spake, and moved like an old Castilian. He was starch, spruce, opinionated, but his superstructure of pride seemed bottomed upon a sense of worth. There was something in it beyond the coxcomb. It was big and swelling, but you could not be sure that it was hollow. You might wish to see it taken down, but you felt that it was upon an elevation. He was magnificent from the outset ; but when the decent sobrieties of the character began to give way, and the poison of self-love, in his conceit of the Countess' affection, gradually to work, you would have thought that the hero of La Mancha in person stood before you. How he went smiling to himself! with what ineffable carelessness would he twirl his gold chain! what a dream it was! you were infected with the illusion, and did not wish that it should be removed! you had no room for laughter! if an unseasonable reflection of morality obtruded itself, it was a deep sense of the pitiable infirmity of man's nature, that can lay him open to such frenzies-but in truth you rather admired than pitied the lunacy while it lasted-you felt that an hour of such mistake was worth an age with the eyes open. Who would not wish to live but for a day in the conceit of such a lady's love as Olivia? Why, the Duke would have given his principality but for a quarter of a minute, sleeping or waking, to have been so deluded. The man seemed to tread upon air, to taste manna, to walk with his head in the clouds, to mate Hyperion. Oh! shake not the castles of his pride-effect-a species of humility and will-worship endure yet for a season bright moments of confidence-"stand still ye watches of the element," that Malvolio may be still in fancy fair Olivia's lord-but fate and retribution say no-I hear the mischievous titter of Maria-the witty taunts of Sir Toby-the still more insupportable triumph of the foolish knight-the counterfeit Sir Topas is unmasked-and "thus the whirligig of time," as the true clown hath it, "brings in his revenges." I confess that I never saw the catastrophe of this character, while Bensley played it, without a kind of tragic interest. There was good foolery too. Few now remember Dodd. What an Aguecheek the stage lost in him! Lovegrove, who came nearest to the old actors, revived the character some few seasons ago, and made it sufficiently grotesque, but Dodd was it, as it came out of nature's hands. It might be said to remain in puris naturalibus. In expressing slowness of apprehension this actor surpassed all which I observe, nine times out of ten, rather puzzles than pleases the person it is offered towhen the face turning full upon me strangely identified itself with that of Dodd. Upon close inspection I was not mistaken. But could this sad thoughtful countenance be the same vacant face of folly which I had hailed so often under circumstances of gayety; which I had never seen without a smile, or recognised but as the usher of mirth; that looked out so formally flat in Foppington, so frothily pert in Tattle, so impotently busy in Backbite; so blankly divested of all meaning, or resolutely expressive of none, in Acres, in Fribble, and a thousand agreeable impertinences? Was this the face-full of thought and carefulness-that had so often divested itself at will of every trace of either to give me diversion, to clear my cloudy face for two or three hours at least of its furrows?-Was this the face-manly, sober, intelligent,-which I had so often despised, |