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ticles: I am none of her minions; I hold with the Persian.

Whatsoever thwarts, or puts me out of my way, brings death into my mind. All partial evils, like humours, run into that capital plague-sore. I have heard some profess an indifference to life. Such hail the end of their existence as a port of refuge; and speak of the grave as of some soft arms, in which they may slumber as on a pillow. Some have wooed death-but out upon thee, I say, thou foul, ugly phantom! I detest, abhor, execrate, and (with Friar John) give thee to six score thousand devils, as in no instance to be excused or tolerated, but shunned as an universal viper; to be branded, proscribed, and spoken evil of! In no way can I be brought to digest thee, thou thin, melancholy Privation, or more frightful and confounding Positive!

Those antidotes, prescribed against the fear of thee, are altogether frigid and insulting, like thyself. For what satisfaction hath a man, that he shall "lie down with kings and emperors in death," who in his lifetime never greatly coveted the society of such bed-fellows? or, forsooth, that "so shall the fairest face appear?"--why, to comfort me, must Alice W- ―n be a goblin? More than all, I conccive disgust at those impertinent and misbecoming familiarities, inscribed upon your ordinary tomb-stones. Every dead man must take upon himself to be lecturing me with his odious truism, that "such as he now is, I must shortly be." Not so shortly, friend, perhaps, as thou imaginest. In the meantime I am alive. I move about. I am worth twenty of thee. Know thy betters! Thy New Year's Days are past. I survive, a jolly candidate for 1821. Another cup of wine; and while that turn-coat bell, that just now mournfully chanted the obsequies of 1820 departed, with changed notes lustily rings in a successor, let us attune to its peal the song made on a like occasion, by hearty, cheerful Mr. Cotton.-

THE NEW YEAR.

Hark, the cock crows, and yon bright star Tells us the day himself's not far; And see where, breaking from the night, He gilds the western hills with light. With him old Janus doth appear, Peeping into the future year, With such a look, as seems to say, The prospect is not good that way. Thus do we rise ill sights to see, And 'gainst ourselves to prophesy; When the prophetic fear of things A more tormenting mischief brings, More full of soul-tormenting gall, Than direst mischiefs can befall. But stay! but stay! methinks my sight, Better inform'd by clearer light, Discerns sereneness in that brow, That all contracted seem'd but now. His revers'd face may show distaste, And frown upon the ills are past;

But that which this way looks is clear,
And smiles upon the New-born Year.
He looks too from a place so high,
The Year lies open to his eye;
And all the moments open are
To the exact discoverer.
Yet more and more he smiles upon
The happy revolution.
Why should we then suspect or fear
The influences of a year,

So smiles upon us the first morn,
And speaks us good so soon as born?
Plague on't! the last was ill enough,
This cannot but make better proof;
Or, at the worst, as we brush'd through
The last, why so we may this too;
And then the next in reason should
Be super-excellently good:
For the worst ills (we daily see)
Have no more perpetuity,
Than the best fortunes that do fall;
Which also bring us wherewithal
Longer their being to support
Than those do of the other sort:
And who has one good year in three,
And yet repines at destiny,
Appears ungrateful in the case,
And merits not the good he has.
Then let us welcome the New Guest
With lusty brimmers of the best;
Mirth always should good fortune meet,
And renders e'en disaster sweet:
And though the princess turn her back,
Let us but line ourselves with sack,
We better shall by far hold out,
Till the next year she face about.

How say you, reader,--do not these verses smack of the rough magnanimity of the old English vein? Do they not fortify like a cordial; enlarging the heart, and productive of sweet blood, and generous spirits, in the concoction? Where be those puling fears of death, just now expressed or affected? Passed like a cloud-absorbed in the purging sun-light of clear poetry--clean washed away by a wave of genuine Helicon, your only Spa for these hypochondries. And now another cup of the generous! and a merry New Year, and many of them, to you all, my masters!

MRS. BATTLE'S OPINIONS ON WHIST. "A CLEAR fire, a clean hearth, and the rigour of the game." This was the celebrated wish of old Sarah Battle, (now with God,) who, next to her devotions, loved a good game at whist. She was none of your lukewarm gamesters, your half and half players, who have no objection to take a hand, if you want one to make up a rubber; who affirm that they have no pleasure in winning; that they like to win one game, and lose another; that they can while away an hour very agreeably at a cardtable, but are indifferent whether they play or no; and will desire an adversary, who has slipt a

insufferable triflers are the curse of a table. One of these flies will spoil a whole pot. Of such it may be said, that they do not play at cards, but only play at playing at them.

wrong card, to take it up and play another. These | rienced, of playing alone ;-above all, the overpowering attractions of a Sans Prendre Vole,—to the triumph of which there is certainly nothing parallel or approaching, in the contingencies of whist-all these, she would say, make quadrille a game of captivation to the young and enthusiastic. But whist was the solider game: that was her word. It was a long meal; not, like quadrille, a feast of snatches. One or two rubbers migh coextend in duration with an evening. They gave time to form rooted friendships, to cultivate steady enmities. She despised the chance-started, capricious, and ever-fluctuating alliances of the other. The skirmishes of quadrille, she would say, reminded her of the petty ephemeral embroilments of the little Italian states, depicted by Machiavel; perpetually changing postures and connexions; bitter foes to-day, sugared darlings to-morrow; kissing and scratching in a breath;-but the wars of whist were comparable to the long, steady, deep-rooted, rational antipathies of the great French and English nations.

Sarah Battle was none of that breed. She detested them, as I do, from her heart and soul; and would not, save upon a striking emergency, willingly seat herself at the same table with them. She loved a thorough-paced partner, a determined enemy. She took, and gave, no concessions. She hated favours. She never made a revoke, nor ever passed it over in her adversary without exacting the utmost forfeiture. She fought a good fight cut and thrust. She held not her good sword (her cards) "like a dancer." She sat bolt upright; and neither showed you her cards, nor desired to see yours. All people have their blind side-their superstitions; and I have heard her declare, under the rose, that Hearts was her favourite suit.

A grave simplicity was what she chiefly admired in her favourite game. There was nothing silly in it, like the nob in cribbage-nothing superfluous. No flushes-that most irrational of all pleas that a reasonable being can set up ;-that any one should claim four by virtue of holding cards of the same mark and color, without reference to the playing of the game, or the individual worth or pretensions of the cards themselves! She held this to be a solecism; as pitiful an ambition at cards as alliteration is in authorship. She despised superficiality, and looked deeper than the colours of things. Suits were soldiers, she would say, and must have a

I never in my life-and I knew Sarah Battle many of the best years of it-saw her take out her snuff-box when it was her turn to play; or snuff a candle in the middle of a game; or ring for a servant, till it was fairly over. She never introduced, or connived at, miscellaneous conversation during its process. As she emphatically observed, cards were cards and if I ever saw unmingled distaste in her fine last-century countenance, it was at the airs of a young gentleman of a literary turn, who had been with difficulty persuaded to take a hand; and who, in his excess of candor, declared, that he thought there was no harm in unbending the mind now and then, after serious studies, in recreations of that kind! She could not bear to have her noble occupation, to which she wound up her fac-uniformity of array to distinguish them: but what ulties, considered in that light. It was her business, her duty, the thing she came into the world to do,—and she did it. She unbent her mind afterwards-over a book.

Pope was her favourite author: his Rape of the Lock her favourite work. She once did me the favour to play over with me (with the cards) his celebrated game of Ombre in that poem; and to explain to me how far it agreed with, and in what points it would be found to differ from, tradrille. Her illustrations were apposite and poignant; and I had the pleasure of sending the substance of them to Mr. Bowles: but I suppose they came too late to be inserted among his ingenious notes upon that author.

Quadrille, she has often told me, was her first love; but whist had engaged her maturer esteem. The former, she said, was showy and specious, and likely to allure young persons. The uncertainty and quick shifting of partners-a thing which the constancy of whist abhors;-the dazzling supremacy and regal investiture of Spadille--absurd as she justly observed, in the pure aristocracy of whist, where his crown and garter give him no proper power above his brother nobility of the Aces;-the giddy vanity, so taking to the inexpe

should we say to a foolish squire, who should claim a merit from dressing up his tenantry in red jackets, that never were to be marshalled-never to take the field?-She even wished that whist were more simple than it is; and, in my mind, would have stripped it of some appendages, which, in the state of human frailty, may be venially, and even commendably allowed of. She saw no reason for the deciding of the trump by the turn of the card. Why not one suit always trumps?—Why two colors, when the mark of the suits would have sufficiently distinguished them without it ?—

"But the eye, my dear Madam, is agreeably refreshed with the variety. Man is not a creature of pure reason-he must have his senses delightfully appealed to. We see it in Roman Catholic countries, where the music and the paintings draw in many to worship, whom your quaker spirit of unsensualizing would have kept out. You, yourself, have a pretty collection of paintings--but con-. fess to me, whether, walking in your gallery at Sandham, among those clear Vandykes, or among the Paul Potters in the ante-room, you ever felt your bosom glow with an elegant delight, at all comparable to that you have it in your power to experience most evenings over a well-arranged

assortment of the court cards?-the pretty antic habits, like heralds in a procession-the gay triumph-assuring scarlets-the contrasting deadlykilling sables-the 'hoary majesty of spades' Pam in all his glory!

"All these might be dispensed with; and, with their naked names upon the drab paste-board, the game might go on very well, pictureless. But the beauty of cards would be extinguished for ever. Stripped of all that is imaginative in them, they must degenerate into mere gambling. Imagine a dull deal-board, or drum-head, to spread them on, instead of that nice verdant carpet, (next to nature's,) fittest arena for those courtly combatants to play their gallant jousts and turneys in!-Exchange those delicately-turned ivory markers (work of Chinese artist, unconscious of their symbol,—or as profanely slighting their true application as the arrantest Ephesian journeyman that turned out those little shrines for the goddess) exchange them for little bits of leather (our ancestors' money) or chalk and a slate!"

The old lady, with a smile, confessed the soundness of my logic; and to her approbation of my arguments on her favourite topic that evening, I have always fancied myself indebted for the legacy of a curious cribbage-board, made of the finest Sienna marble, which her maternal uncle (old Walter Plumer, whom I have elsewhere celebrated) brought with him from Florence;-this, and a trifle of five hundred pounds, came to me at her death.

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or for your play. Three are still worse; a mere naked war of every man against every man, as in cribbage, without league or alliance; or a rotation of petty and contradictory interests, a succession of heartless leagues, and not much more hearty infractions of them, as in tradrille. But in square games (she meant whist) all that is possible to be attained in card-playing is accomplished. There are the incentives of profit with honour, common to every species-though the latter can be but very imperfectly enjoyed in those other games, where the spectator is only feebly a participator. But the parties in whist are spectators and principals too. They are a theatre to themselves, and a looker-on is not wanted. He is rather worse than nothing, and an impertinence. Whist abhors neutrality or interests beyond its sphere. You glory in some surprising stroke of skill or fortune, not because a cold-or even an interested-by-stander witnesses it, but because your partner sympathises in the contingency. You win for two. You triumph for two. Two are exalted. Two again are mortified; which divides their disgrace, as the conjunction doubles (by taking off the invidiousness) your glories. Two losing to two are better reconciled, than one to one in that close butchery. The hostile feeling is weakened by multiplying the channels. War becomes a civil game. By such reasonings as these the old lady was accustomed to defend her favourite pastime.

No inducement could ever prevail upon her to play at any game, where chance entered into the composition, for nothing. Chance, she would argue

The former bequest (which I do not least value) I have kept with religious care; though she her--and here again, admire the subtlety of her conself, to confess a truth, was never greatly taken with cribbage. It was an essentially vulgar game, I have heard her say,-disputing with her uncle, who was very partial to it. She could never heartily bring her mouth to pronounce "go" or "that's a go." She called it an ungrammatical game. The pegging teased her. I once knew her to forfeit a rubber, (a five dollar stake,) because she would not take advantage of the turn-up knave, which would have given it her, but which she must have claimed by the disgraceful tenure of declaring “two for his heels." There is something extremely genteel in this sort of self-denial. Sarah Battle was a gentlewoman born.

Piquet she held the best game at cards for two persons, though she would ridicule the pedantry of the terms-such as pique-repique-the capot-they savoured (she thought) of affectation. But games for two, or even three, she never greatly cared for. She loved the quadrate, or square. She would argue thus:-Cards are warfare; the ends are gain, with glory. But cards are war, in disguise of a sport: when single adversaries encounter, the ends proposed are too palpable. By themselves, it is too close a fight; with spectators, it is not much bettered. No looker-on can be interested, except for a bet, and then it is a mere affair of money; he cares not for your luck sympathetically,

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clusion!-chance is nothing, but where something else depends upon it. It is obvious, that cannot be glory. What rational cause of exultation could it give to a man to turn up size-ace a hundred times together by himself; or before spectators, where no stake was depending?—Make a lottery of a hundred thousand tickets with but one fortunate number-and what possible principle of our nature, except stupid wonderment, could it gratify to gain that number as many times successively, without a prize?-therefore she disliked the mixture of chance in backgammon, where it was not played for money. She called it foolish, and those people idiots, who were taken with a lucky hit under such circumstances. Games of pure skill were as little to her fancy. Played for a stake, they were a mere system of overreaching. Played for glory, they were a mere setting of one man's wit,—his memory, or combination-faculty rather-against another's; like a mock-engagement at a review, bloodless, and profitless. She could not conceive a game wanting the spritely infusion of chance,-the handsome excuses of good fortune. Two people playing at chess in a corner of a room, whilst whist was stirring in the centre, would inspire her with insufferable horror and ennui. Those wellcut similitudes of Castles, and Knights, the imagery of the board, she would argue, (and I think in

this case justly,) were entirely misplaced and senseless. Those hard-headed contests can in no instance ally with the fancy. They reject form and colour. A pencil and dry slate (she used to say) were the proper arena for such combatants.

To those puny objectors against cards, as nurturing the bad passions, she would retort, that man is a gaming animal. He must be always trying to get the better in something or other: that this passion can scarcely be more safely expended than upon a game at cards: that cards are a temporary illusion; in truth, a mere drama; for we do but play at being mightily concerned, where a few idle shillings are at stake, yet during the illusion, we are as mightily concerned as those whose stake is crowns and kingdoms. They are a sort of dream-fighting; much ado; great battling, and little bloodshed; mighty means for disproportioned ends; quite as diverting, and a great deal more innoxious, than many of those more scrious games of life, which men play, without esteeming them to be such.

pendages, hanging ornaments, and (architecturally speaking) handsome volutes to the human capital. Better my mother had never borne me. I am, I think, rather delicately than copiously provided with those conduits; and I feel no disposition to envy the mule for his plenty, or the mole for her exactness, in those ingenious labyrinthine inlets-those indispensable side-intelligencers.

Neither have I incurred, or done any thing to incur, with Defoe, that hideous disfigurement, which constrained him to draw upon assurance to feel "quite unabashed,” and at ease upon that article. I was never, I thank my stars, in the pillory; nor, if I read them aright, is it within the compass of my destiny, that I ever should be.

When therefore I say that I have no ear, you will understand me to mean-for music. To say that this heart never melted at the concourse of sweet sounds, would be a foul self-libel. "Water parted from the sea" never fails to move it strangely. So does "In infancy." But they were used to be sung at her harpsichord (the old-fashioned instru

With great deference to the old lady's judgment in vogue in those days) by a gentlewoman ment on these matters, I think I have experienced some moments in my life, when playing at cards for nothing has even been agreeable. When I am in sickness, or not in the best spirits, I sometimes call for the cards, and play a game at piquet for love with my cousin Bridget-Bridget Elia.

I grant there is something sneaking in it; but with a toothache, or a sprained ancle,-when you are subdued and humble,-you are glad to put up with an inferior spring of action.

There is such a thing in nature, I am convinced, as sick whist.

I grant it is not the highest style of man-I deprecate the manes of Sarah Battle-she lives not, alas! to whom I should apologise.

'At such times, those terms which my old friend objected to, come in as something admissible. I love to get a tierce or a quatorze, though they mean nothing. I am subdued to an inferior interest. Those shadows of winning amuse me.

That last game I had with my sweet cousin (I capoted her)-(dare I tell thee, how foolish I am?)-I wished it might have lasted for ever, though we gained nothing, and lost nothing, though it was a mere shade of play; I would be content to go on in that idle folly for ever. The pipkin should be ever boiling that was to prepare the gentle lenitive to my foot, which Bridget was doomed to apply after the game was over: and, as I do not much relish appliances, there it should ever bubble. Bridget and I should be ever playing.

A CHAPTER ON EARS.

I have no ear.

Mistake me not, reader,-nor imagine that I am by nature destitute of those exterior twin ap

the gentlest, sure, that ever merited the appellation-the sweetest-why should I hesitate to name Mrs. Sonce the blooming Fanny Wetheral of the Temple-who had power to thrill the soul of Elia, small imp as he was, even in his long coats; and to make him glow, tremble, and blush with a passion, that not faintly indicated the day-spring of that absorbing sentiment, which was afterwards destined to overwhelm and subdue his nature quite, for Alice W-n.

I even think that sentimentally I am disposed to harmony. But organically I am incapable of a tune. I have been practising "God save the King" all my life; whistling and humming it over to myself in solitary corners; and am not yet arrived, they tell me, within many quavers of it. Yet hath the loyalty of Elia never been impeached.

I am not without suspicion, that I have an undeveloped faculty of music within me. For, thrumming, in my wild way, on my friend A.'s piano, the other morning, while he was engaged in an adjoining parlor,-on his return he was pleased to say, "he thought it could not be the maid!" On his first surprise at hearing the keys touched in somewhat an airy and masterful way, not dreaming of me, his suspicions had lighted on Jenny. But a grace, snatched from a superior refinement, soon convinced him that some being,-technically perhaps deficient, but higher informed from a principle common to all the fine arts,-had swayed the keys to a mood which Jenny, with all her (less cultivated) enthusiasm, could never have elicited from them. I mention this as a proof of my friend's penetration, and not with any view of disparaging Jenny.

Scientifically I could never be made to understand (yet have I taken some pains) what a note in music is; or how one note should differ from another. Much less in voices can I distinguish a

soprano from a tenor. Only sometimes the thorough bass I contrive to guess at, from its being supereminently harsh and disagreeable. I tremble, however, for my misapplication of the simplest terms of that which I disclaim. While I profess my ignorance, I scarce know what to say I am ignorant of. I hate, perhaps, by misnomers. Sostenuto and adagio stand in the like relation of obscurity to me; and Sol, Fa, Mi, Re, is as conjuring as Baralipton.

It is hard to stand alone-in an age like this,(constituted to the quick and critical perception of all harmonious combinations, I verily believe, beyond all preceding ages, since Jubal stumbled upon the gamut)—to remain, as it were, singly unimpressible to the magic influences of an art, which is said to have such an especial stroke at soothing, elevating, and refining the passions. Yet rather than break the candid current of my confessions, I must avow to you, that I have received a great deal more pain than pleasure from this so cried-up faculty.

I am constitutionally susceptible of noises. A carpenter's hammer, in a warm summer noon, will fret me into more than midsummer madness. But those unconnected, unset sounds, are nothing to the measured malice of music. The ear is passive to those single strokes; willingly enduring stripes, while it hath no task to con. To music it cannot be passive. It will strive-mine at least will 'spite of its inaptitude, to thrid the maze; like an unskilled eye painfully poring upon hieroglyphics. I have sat through an Italian Opera, till, for sheer pain, and inexplicable anguish, I have rushed out into the noisiest places of the crowded streets, to solace myself with sounds which I was not obliged to follow, and get rid of the distracting torment of endless, fruitless, barren attention! I take refuge in the unpretending assemblage of honest commonlife sounds;—and the purgatory of the Enraged Musician becomes my paradise.

I have sat at an Oratorio (that profanation of the purposes of the cheerful playhouse) watching the faces of the auditory in the pit, (what a contrast to Hogarth's Laughing Audience,) immoveable, or affecting some faint emotion,-till (as some have said, that our occupations in the next world will be but a shadow of what delighted us in this) I have imagined myself in some cold Theatre in Hades, where some of the forms of the earthly one should be kept up, with none of the enjoyment; or like that

-Party in a parlor,

All silent, and all DAMNED!"

Above all, those insufferable concertos and pieces of music, as they are called, do plague and imbitter my apprehension. Words are something; but to be exposed to an endless battery of mere sounds; to be long a dying; to lie stretched upon a rack of roses; to keep up languor by unintermitted effort; to pile honey upon sugar, and sugar upon

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honey, to an interminable tedious sweetness; to fill up sound with feeling, and strain ideas to keep pace with it; to gaze on empty frames, and be forced to make the pictures for yourself; to read a book, all stops, and be obliged to supply the verbal matter; to invent extempore tragedies to answer to the vague gestures of an inexplicable rambling mime these are faint shadows of what I have undergone from a series of the ablest executed pieces of this empty instrumental music.

I deny not, that in the opening of a concert, I have experienced something vastly lulling and agreeable:-afterwards followeth the languor, and the oppression. Like that disappointing book in Patmos; or, like the comings on of melancholy described by Burton, doth music make her first insinuating approaches:-"Most pleasant it is to such as are melancholy given, to walk alone in some solitary grove, betwixt wood and water, by some brook side, and to meditate upon some delightsome and pleasant subject, which shall affect him most, amabilis insania and mentis gratissimus error. A most incomparable delight to build castles in the air, to go smiling to themselves, acting an infinite variety of parts, which they suppose and strongly imagine, they act, or that they see done. So delightsome these toys at first, they could spend whole days and nights without sleep, even whole years in such contemplations, and fantastical meditations, which are like so many dreams, and will hardly be drawn from them-winding and unwinding themselves as so many clocks, and still pleasing their humours, until at last the SCENE TURNS UPON A SUDDEN, and they being now habited to such meditations and solitary places, can en dure no company, can think of nothing but harsh and distasteful subjects. Fear, sorrow, suspicion, subrusticus pudor, discontent, cares, and weariness of life, surprise them on a sudden, and they can think of nothing else: continually suspecting, no sooner are their eyes open, but this infernal plague of melancholy seizeth on them, and terrifies their souls, representing some dismal object to their minds which now, by no means, no labour, no persuasions they can avoid, they cannot be rid of it, they cannot resist.”

Something like this "SCENE-TURNING" I have experienced at the evening parties at the house of my good Catholic friend Nov; who, by the aid of a capital organ, himself the most finished of players, converts his drawing-room into a chapel, his week days into Sundays, and these latter into minor heavens.*

When my friend commences upon one of those solemn anthems, which peradventure struck upon my heedless ear rambling in the side aisles of the dim abbey, some five-and-thirty years since, waking a new sense, and putting a soul of old religion into my young apprehension-(whether it be * I have been there, and still would go; "Tis like a little heaven below. Dr. Watts.

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