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Never does the streamlet glide
Useless by the mill.

Wait not till to-morrow's sun
Beams upon the way;

All that thou canst call thine own
Lies in thy to-day.

Power, intellect, and health

May not, cannot last;
"The mill will never grind

With the water that has passed."

Oh, the wasted hours of life
That have drifted by;

Oh, the good we might have done,
Lost without a sigh;

Love that we might once have saved
By a single word;

Thoughts conceived, but never penned,
Perishing unheard.

Take the proverb to thine heart,

Take! oh, hold it fast!

"The mill will never grind

With the water that has passed."

SARAH DOUDNEY.

THE IVY GREEN

Oн, a dainty plant is the Ivy Green,
That creepeth o'er ruins old!

Of right choice food are his meals, I ween,
In his cell so lone and cold.

The wall must be crumbled, the stone decayed,

To pleasure his dainty whim;

And the mouldering dust that years have made
Is a merry meal for him.

Creeping where no life is seen,

A rare old plant is the Ivy Green.

Fast he stealeth on, though he wears no wings,
And a staunch old heart has he;

How closely he twineth, how tight he clings
To his friend the huge oak-tree!
And slyly he traileth along the ground,
And his leaves he gently waves,

As he joyously hugs and crawleth around
The rich mould of dead men's graves.

Creeping where grim death has been,
A rare old plant is the Ivy Green.

Whole ages have fled, and their works decayed,

And nations have scattered been;
But the stout old Ivy shall never fade
From its hale and hearty green.
The brave old plant, in its lonely days,
Shall fatten upon the past;

For the stateliest building man can raise
Is the Ivy's food at last.

Creeping on, where time has been,
A rare old plant is the Ivy Green.

SWEET CLOVER

CHARLES DICKENS.

WITHIN what weeks the melilot
Gave forth its fragrance, I, a lad,
Or never knew or quite forgot,

Save that 't was while the year is glad.
Now know I that in bright July
It blossoms; and the perfume fine
Brings back my boyhood, until I

Am steeped in memory as with wine.
Now know I that the whole year long,

Though Winter chills or Summer cheers,

It writes along the weeks its song,

Even as my youth sings through my years. WALLACE RICE.

A HUNDRED YEARS TO COME
Oн, where will be the birds that sing,

A hundred years to come?

The flowers that now in beauty spring,
A hundred years to come?

The rosy lip, the lofty brow,

The heart that beats so gaily now,
Oh, where will be love's beaming eye,

Joy's pleasant smile, and sorrow's sigh,

A hundred years to come?

Who 'Il press for gold this crowded street,
A hundred years to come?

Who 'll tread yon church with willing feet,
A hundred years to come?

Pale, trembling age, and fiery youth,
And childhood with its brow of truth;
The rich and poor, on land and sea,
Where will the mighty millions be
A hundred years to come?

We all within our graves shall sleep
A hundred years to come!
No living soul for us will weep
A hundred years to come!
But other men our lands shall till,
And others then our streets will fill,
While other birds will sing as gay,
As bright the sunshine as to-day,
A hundred years to come!

WILLIAM GOLDSMITH BROWN.

VERTUE

SWEET Day, so cool, so calm, so bright,
The bridal of the earth and skie;
The dew shall weep thy fall to-night;
For thou must die.

Sweet Rose, whose hue, angrie and brave,
Bids the rash gazer wipe his eye;
Thy root is ever in its grave,

And thou must die.

Sweet Spring, full of sweet days and roses,
A box where sweets compacted lie;

My musick shows ye

have your closes,

And all must die.

Only a sweet and vertuous soul,

Like seasoned timber, never gives ;

But, though the whole world turn to coal,

Then chiefly lives.

GEORGE HERBERT.

WHERE LIES THE LAND

WHERE lies the land to which the ship would go ?

Far, far ahead, is all her seamen know;

And where the land she travels from? Away,
Far, far behind, is all that they can say.

On sunny noons upon the deck's smooth face,
Linked arm in arm, how pleasant here to pace!
Or, o'er the stern reclining, watch below
The foaming wake far widening as we go.

On stormy nights, when wild northwesters rave,
How proud a thing to fight with wind and wave!
The dripping sailor on the reeling mast
Exults to bear, and scorns to wish it past.

Where lies the land to which the ship would go?
Far, far ahead, is all her seamen know;
And where the land she travels from? Away,
Far, far behind, is all that they can say.

ARTHUR HUGH CLOUGH.

A FAREWELL

My fairest child, I have no song to give to you;
No lark could pipe to skies so dull and gray;
Yet, ere we part, one lesson I can leave you
For every day.

Be good, sweet maid, and let who will be clever;
Do noble things, not dream them, all day long:
And so make life, death, and that vast forever,
One grand, sweet song.

CHARLES KINGSLEY.

AFTER THE BALL

THEY sat and combed their beautiful hair,
Their long bright tresses, one by one,
As they laughed and talked in the chamber there,
After the revel was done.

Idly they talked of waltz and quadrille ;
Idly they laughed, like other girls,
Who, over the fire, when all is still,

Comb out their braids and curls.

Robes of satin and Brussels lace,
Knots of flowers and ribbons too;
Scattered about in every place,

For the revel is through.

And Maud and Madge in robes of white,
The prettiest nightgowns under the sun,
Stockingless, slipperless, sit in the night,
For the revel is done;

Sit and comb their beautiful hair,

Those wonderful waves of brown and gold,
Till the fire is out in the chamber there,
And the little bare feet are cold.

Then out of the gathering winter chill,
All out of the bitter St. Agnes weather,
While the fire is out and the house is still,
Maud and Madge together,-

Maud and Madge in robes of white,
The prettiest nightgowns under the sun,
Curtained away from the chilly night,
After the revel is done,-

Float along in a splendid dream,
To a golden gittern's tinkling tune,
While a thousand lustres shimmering stream,
In a palace's grand saloon.

Flashing of jewels and flutter of laces,
Tropical odors sweeter than musk,
Men and women with beautiful faces
And eyes of tropical dusk,-
And one face shining out like a star,
One face haunting the dreams of each,
And one voice sweeter than others are,
Breaking in silvery speech,—
Telling, through lips of bearded bloom,
An old, old story over again,
As down the royal bannered room,

To the golden gittern's strain,

Two and two, they dreamily walk,
While an unseen spirit walks beside,
And, all unheard in the lovers' talk,
He claimed one for a bride.
O Maud and Madge! dream on together,
With never a pang of jealous fear;
For, ere the bitter St. Agnes weather
Shall whiten another year,

Robed for the bridal, and robed for the tomb,
Braided brown hair, and golden tress,
There'll be only one of you left for the bloom
Of the bearded lips to press;

Only one for the bridal pearls,

The robe of satin and Brussels lace

Only one to blush through her curls
At the sight of a lover's face.

O beautiful Madge, in your bridal white,
For you the revel has just begun ;

But for her who sleeps in your arms to-night
The revel of life is done!

But robed and crowned with your saintly bliss,

Queen of heaven and bride of the sun,

O beautiful Maud, you 'll never miss

The kisses another hath won!

NORA PERRY,

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