Colour and Experience in Nineteenth-century Poetry |
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achieve appearances beauty becomes begins believe bird blind blood blue blush body Book bright Browning Browning's Caponsacchi child choose Christ colour common complete dark death defined describes dream example experience expression eyes face fact faith fancy feels figure girl give God's green Guido hand heart hope Hopkins human imagination important innocence Keats kind Lamia landscape leaves less letters light lines live London looks Madeline marks means metaphor mind Miranda mortal natural never Newton Notes offers once painting play poem poet poetry Pompilia presented proper pure rainbow reader reality remain represent response rest Ring Romantic Ruskin seems sense Sordello soul spirit stains story surely symbol things thought true truth turn Turner understand Virgin vision white light whole writes yellow