Literary Essays25 essays from the Victorian and Edwardian literary critic. |
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Page 20
... side of the footlights- that on his side it would be chiefly of the 20 SHAKESPEARE AT CAMBRIDGE (The Athenaeum, June 20, 1919 CHARACTERS AND COMMENTARIES)
... side of the footlights- that on his side it would be chiefly of the 20 SHAKESPEARE AT CAMBRIDGE (The Athenaeum, June 20, 1919 CHARACTERS AND COMMENTARIES)
Page 166
... side to us the obviously weak side - of Beyle's genius that seems to be most in favour with French critics . To judge from M. Barrès , writing dithyrambically of Beyle's ' sentiment d'honneur , ' that is his true claim to greatness ...
... side to us the obviously weak side - of Beyle's genius that seems to be most in favour with French critics . To judge from M. Barrès , writing dithyrambically of Beyle's ' sentiment d'honneur , ' that is his true claim to greatness ...
Page 184
... side - the technical side of Beddoes ' genius . But it may be noticed that in his mastery of phrasing - as in so much besides he was a true Elizabethan . The great artists of that age knew that without phrasing dramatic verse was a dead ...
... side - the technical side of Beddoes ' genius . But it may be noticed that in his mastery of phrasing - as in so much besides he was a true Elizabethan . The great artists of that age knew that without phrasing dramatic verse was a dead ...
Contents
SHAKESPEARES FINAL PERIOD The Independent | 1 |
WORDS AND POETRY The Hogarth Press 1928 | 16 |
RABELAIS The New Statesman Feb 16 1918 CHARAC | 31 |
Copyright | |
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able admiration appears beauty become Beddoes begins Beyle Browne certainly character characteristic charming complete criticism death difficult doubt effect eighteenth century elaborate Elizabethan English epigrams expression fact feeling force French genius give hand heart human humour imagination important instance interest Italy kind Lady least less letters light literary literature lived look Lord master means mind Miss mysterious nature never obvious once original pass passage passion perhaps persons play poems poet poetry Pope present produced prose question Racine reader reason remarkable rest seems sense sentence Shakespeare side simple sometimes speak spirit story strange style suggests taste things thought tion tragedy true truth turned verse vision whole writing written wrote