Articulate Energy: An Enquiry Into the Syntax of English Poetry |
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Page 30
... true empathic relationship to the sound and shape of a poem - our response to metre , for example . " It is Susanne Langer's achievement to have shown that our response to syntax can be " a true empathic relationship " also . Perhaps ...
... true empathic relationship to the sound and shape of a poem - our response to metre , for example . " It is Susanne Langer's achievement to have shown that our response to syntax can be " a true empathic relationship " also . Perhaps ...
Page 51
... true syntax is narrative ; only the pseudo - syntax is interroga- tive . It is significant that we should call such pseudo - questions " rhetorical " . As we shall see , rhetoric is traditionally the pro- vince of pseudo - syntax ; our ...
... true syntax is narrative ; only the pseudo - syntax is interroga- tive . It is significant that we should call such pseudo - questions " rhetorical " . As we shall see , rhetoric is traditionally the pro- vince of pseudo - syntax ; our ...
Page 75
... true voice of feeling " . If so , then he went wrong , I think , when he looked for " the true voice " in terms of the audible rhythms of versification rather than the inaudible rhythms of syntax . In that case he is right to insist ...
... true voice of feeling " . If so , then he went wrong , I think , when he looked for " the true voice " in terms of the audible rhythms of versification rather than the inaudible rhythms of syntax . In that case he is right to insist ...
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Common terms and phrases
abstract according action active agree appears argument arrangement articulation asks becomes Berkeley Chinese clear close comes common concrete connection consider course criticism distinction dream effect elements energy English example experience explain expression fact feeling Fenollosa follows force function gives goes grammar hand Hence Hulme human idea images instance kind Langer language less lines literature logic matter meaning metaphor mind move movement narrative nature never night objective once particular passage pattern perhaps play poem poet poetic syntax poetry Pope possible Pound present prose question quoted reader reading relation rhetoric rhyme rhythm seems seen sense sentence significant sleep sort sound speak stand stanza statement strength structure suggest symbolist symbols syntactical taken theory things thought tion true turn verbs verse whole words Wordsworth writing