Articulate Energy: An Enquiry Into the Syntax of English Poetry |
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Page 30
... move- ments ) sustained or broken , of ease or effort , rapidity or languor . What we mean , in fact , is empathy . Empathy occurs in our response to the plastic arts when " we feel ourselves occupying with our senses the Gestalt of the ...
... move- ments ) sustained or broken , of ease or effort , rapidity or languor . What we mean , in fact , is empathy . Empathy occurs in our response to the plastic arts when " we feel ourselves occupying with our senses the Gestalt of the ...
Page 117
... moved the so - called secondary quali- ties out of apparently " external " reality into the mind ; colour , for instance , became a function of the optic nerves ... move into the mind the so - 117 BERKELEY AND YEATS: SYNTAX AND METRE.
... moved the so - called secondary quali- ties out of apparently " external " reality into the mind ; colour , for instance , became a function of the optic nerves ... move into the mind the so - 117 BERKELEY AND YEATS: SYNTAX AND METRE.
Page 136
... move into the area of rhetoric , history and philosophy move into poetry , only by shedding their distinctive syntax . The forms of discursive and narrative syntax may be retained , in accordance with " the plausibility - principle ...
... move into the area of rhetoric , history and philosophy move into poetry , only by shedding their distinctive syntax . The forms of discursive and narrative syntax may be retained , in accordance with " the plausibility - principle ...
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Common terms and phrases
abstract according action active agree appears argument arrangement articulation asks becomes Berkeley Chinese clear close comes common concrete connection consider course criticism distinction dream effect elements energy English example experience explain expression fact feeling Fenollosa follows force function gives goes grammar hand Hence Hulme human idea images instance kind Langer language less lines literature logic matter meaning metaphor mind move movement narrative nature never night objective once particular passage pattern perhaps play poem poet poetic syntax poetry Pope possible Pound present prose question quoted reader reading relation rhetoric rhyme rhythm seems seen sense sentence significant sleep sort sound speak stand stanza statement strength structure suggest symbolist symbols syntactical taken theory things thought tion true turn verbs verse whole words Wordsworth writing