Articulate Energy: An Enquiry Into the Syntax of English Poetry |
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Page 28
... course , is something that could have occurred to any critic , whether he had read Susanne Langer or not . ( In fact , I had noted it in just those terms before reading Philosophy in a New Key . ) But this is true , I suggest , only ...
... course , is something that could have occurred to any critic , whether he had read Susanne Langer or not . ( In fact , I had noted it in just those terms before reading Philosophy in a New Key . ) But this is true , I suggest , only ...
Page 84
... course of life ; hence it had to be cast in narrative form . Yet since the course of life was in no way " chancy " or unpredictable , the narrative itself quite properly fell into logical form . Hence his syntax , neither narrative nor ...
... course of life ; hence it had to be cast in narrative form . Yet since the course of life was in no way " chancy " or unpredictable , the narrative itself quite properly fell into logical form . Hence his syntax , neither narrative nor ...
Page 85
... course is just what Coleridge does , in “ Dejec- tion " , but with this difference - that he there commits himself to defining not only the course of the feeling , but its nature , so that he shall be seen to deal with one feeling ...
... course is just what Coleridge does , in “ Dejec- tion " , but with this difference - that he there commits himself to defining not only the course of the feeling , but its nature , so that he shall be seen to deal with one feeling ...
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Common terms and phrases
abstract according action active agree appears argument arrangement articulation asks becomes Berkeley Chinese clear close comes common concrete connection consider course criticism distinction dream effect elements energy English example experience explain expression fact feeling Fenollosa follows force function gives goes grammar hand Hence Hulme human idea images instance kind Langer language less lines literature logic matter meaning metaphor mind move movement narrative nature never night objective once particular passage pattern perhaps play poem poet poetic syntax poetry Pope possible Pound present prose question quoted reader reading relation rhetoric rhyme rhythm seems seen sense sentence significant sleep sort sound speak stand stanza statement strength structure suggest symbolist symbols syntactical taken theory things thought tion true turn verbs verse whole words Wordsworth writing