ContinuumAMS Press, 1992 - French literature |
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Page 49
The dividing line between sculpture and three - dimensional chinoiserie works , then , can at least partially be defined as that between a " high art " created by " artists " and a " low art " produced by " artisans , " however refined ...
The dividing line between sculpture and three - dimensional chinoiserie works , then , can at least partially be defined as that between a " high art " created by " artists " and a " low art " produced by " artisans , " however refined ...
Page 51
With the eighteenth - century emulation of oriental pieces , the brilliance of ceramic glazes and of enamel created a gaiety and gleaming vividness not associated with sculpture in the antique tradition . Color variety in the classic ...
With the eighteenth - century emulation of oriental pieces , the brilliance of ceramic glazes and of enamel created a gaiety and gleaming vividness not associated with sculpture in the antique tradition . Color variety in the classic ...
Page 58
la Sculpture n'a point de couleur différente de sa matière . 14 21 이 CH . 4 P 11 C 1 Painting can portray everything seen and unseen , but lack of ability to use varied colors severely limits the range of subjects available to ...
la Sculpture n'a point de couleur différente de sa matière . 14 21 이 CH . 4 P 11 C 1 Painting can portray everything seen and unseen , but lack of ability to use varied colors severely limits the range of subjects available to ...
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