ContinuumAMS Press, 1992 - French literature |
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Page 13
The hypothetical art of reading Dom Juan ou le Festin de pierre may begin with the principles of rhetoric and beauty that give rise to verbal , poetic , and visible form . These principles operate throughout Molière's text , but they ...
The hypothetical art of reading Dom Juan ou le Festin de pierre may begin with the principles of rhetoric and beauty that give rise to verbal , poetic , and visible form . These principles operate throughout Molière's text , but they ...
Page 18
Her question is a rhetorical one ; she is asking it belatedly . When she criticizes Dom Juan's silence ( " non pas être ... The end of Dom Juan's love - rhetoric marks the end of love . Between Tisbea's weeping and the ocean that ...
Her question is a rhetorical one ; she is asking it belatedly . When she criticizes Dom Juan's silence ( " non pas être ... The end of Dom Juan's love - rhetoric marks the end of love . Between Tisbea's weeping and the ocean that ...
Page 30
Molière uses it as the foundation for a two - way street of rhetoric and desire . DELICATESSE Molière leads the interpreter of Dom Juan to examine the protagonist's poetics as the cause of the libertine " mise à mal " or the ' feminine ...
Molière uses it as the foundation for a two - way street of rhetoric and desire . DELICATESSE Molière leads the interpreter of Dom Juan to examine the protagonist's poetics as the cause of the libertine " mise à mal " or the ' feminine ...
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à la appearance autres Baroque beauty become bien c'est century chanson China Chine Chinois chinoiserie critical culture d'une dans le describes desire deux Diderot Dom Juan Don Juan edition effects Egyptian emblem essay être example existence expression faire fait femme figures française France French gives grand homme human important Jésuites Juan's Lettres leur libertinage libertine literary Louis meaning MICHIGAN Molière Molière's moral n'est nature Ninon novel object Orient original ouvrages painting Paris passion pays Père peut philosophical play poet premier present qu'elle qu'il que le question Quinet relation religion religious Renaissance rhetoric rien role sculpture seduction seul siècle social society sur les tout tradition UNIVERSITY voir Voltaire writing