ContinuumAMS Press, 1992 - French literature |
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Page 13
The hypothetical art of reading Dom Juan ou le Festin de pierre may begin with the principles of rhetoric and beauty that give rise to verbal , poetic , and visible form . These principles operate throughout Molière's text , but they ...
The hypothetical art of reading Dom Juan ou le Festin de pierre may begin with the principles of rhetoric and beauty that give rise to verbal , poetic , and visible form . These principles operate throughout Molière's text , but they ...
Page 15
Dom Juan's rhetoric makes beauty reign over visible form and erotic consequences ; his discourse is subversive on both levels . He uses the melodic and balanced sentences or périodes of his stylized figural discourse ( focused on beauty ...
Dom Juan's rhetoric makes beauty reign over visible form and erotic consequences ; his discourse is subversive on both levels . He uses the melodic and balanced sentences or périodes of his stylized figural discourse ( focused on beauty ...
Page 91
The emperor's quest to discover the beauty in nature as recreated in Wang - Fo's paintings remains unanswered . Instead , his jealousy of and hatred for the painter deepen , and he accuses the painter of being guilty of his unhappiness ...
The emperor's quest to discover the beauty in nature as recreated in Wang - Fo's paintings remains unanswered . Instead , his jealousy of and hatred for the painter deepen , and he accuses the painter of being guilty of his unhappiness ...
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à la appearance autres Baroque beauty become bien c'est century chanson China Chine Chinois chinoiserie critical culture d'une dans le describes desire deux Diderot Dom Juan Don Juan edition effects Egyptian emblem essay être example existence expression faire fait femme figures française France French gives grand homme human important Jésuites Juan's Lettres leur libertinage libertine literary Louis meaning MICHIGAN Molière Molière's moral n'est nature Ninon novel object Orient original ouvrages painting Paris passion pays Père peut philosophical play poet premier present qu'elle qu'il que le question Quinet relation religion religious Renaissance rhetoric rien role sculpture seduction seul siècle social society sur les tout tradition UNIVERSITY voir Voltaire writing