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Shali smooth for tabby swains their yielding fur,
And to their amorous mews assenting purr.~
There, like Alcmena's, shall GRIMALKIN'S SON
In bliss repose,-his mousing labours done,
Fate, envy, curs, time, tide, and traps defy,
And caterwaul to all eternity."

Cats neither like to be put out of their way, nor to be kept out of their food :

In cloisters, wherein people are immured in Roman catholic countries, to keep or make them of that religion, it is customary to announce the hours of meals by ringing a bell. In a cloister in France, a cat that was kept there was used never to receive any victuals till the bell rung, and she therefore never failed to be within hearing of it. One day, however, she happened to be shut up in a solitary apartment, and the bell rang in vain, as far as regarded her. Being some hours after liberated from her confinement, she ran, half famished, to the place where a plate of victuals used generally to be set for her, but found none this time. the afternoon the bell was heard ringing at an unusual hour, and when the people of the cloister came to see what was the cause of it, they found the cat hanging upon the bell-rope, and setting it in motion as well as she was able, in order that she might have her dinner served up to her.*

In

There is a surprising instance of the sensibility of cats to approaching danger :In the year 1783, two cats, belonging to a merchant at Messina, in Sicily, announced to him the approach of an earthquake. Before the first shock was felt, these two animals seemed anxiously to endeavour to work their way through the floor of the room in which they were. Their master observing their fruitless efforts, opened the door for them. At a second and third door, which they likewise found shut, they repeated their efforts, and on being set completely at liberty, they ran straight through the street, and out of the gate of the town. The merchant, whose curiosity was excited by this strange conduct of the cats, followed them into the fields, where he again saw them scratching and burrowing in the earth. Soon after there was a violent shock of an earthquake, and many of the

Zoological Anecdotes.

Huddesford

houses in the city fell down, of which the merchant's was one, so that he was in debted for his life to the singular forebodings of his cats.*

Few who possess the faculty of hearing, and have heard the music of cats, would desire the continuance of their "sweet voices," yet a concert was exhibited at Paris, wherein cats were the performers. They were placed in rows, and a monkey beat time to them. According as he beat the time, so the cats mewed; and the historian of the fact relates, that the diversity of the tones which they emitted produced a very ludicrous effect. This exhibition was announced to the Parisian public by the title of Concert Miaulant.+

Cats were highly esteemed by the Egyptians, who under the form of a cat symbolized the moon, or Isis, and placed it upon their systrum, an instrument of religious worship and divination. Count Caylus engraved a cat with two kittens, which, while he supposes one of the kittens to be black and the other white, he presumes to have represented the phases of the moon.

Cats are supposed to have been brought into England from the island of Cyprus, by some foreign merchants who came hither for tin. In the old Welsh laws, a kitten from its birth till it could see was valued at a penny; when it began to mouse at twopence; and after it had killed mice at fourpence, which was the price of a calf. Wild cats were kept by our ancient kings for hunting. The officers who had the charge of these cats seem to have had appointments of equal with the masters of the consequence king's hounds; they were called catatores Gray's elegy on a cat drowned in a globe of water with gold fishes is wellknown. Dr. Jortin wrote a Latin epitaph on a favourite cat.

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JORTIN'S EPITAPH ON HIS Car

Imitated in English

Worn out with age and dire disease, a cat,
Friendly to all, save wicked mouse and ra:
I'm sent at last to ford the Stygian lake,
And to the infernal coast a voyage make.
Me PROSERPINE receiv'd, and smiling said,
"Be bless'd within these mansions of the dead,
Enjoy among thy velvet-footed loves,
Elysium's sunny banks and shady groves."
"But if I've well deserv'd, (O gracious queen,)
If patient under sufferings I have been,
Grant me at least one night to visit home again
Once more to see my home, and mistress dear,
And purr these grateful accents in her ear.
Thy faithful cat, thy poor departed slave,
Still loves her mistress ev'n beyond the grave."*

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'organ," which he accompanied by beating the long drum; after him followed the theatre, consisting of a square frame-work about ten feet high, boarded in front, and painted as represented in the print, carried by a man within the frame; the theatrical properties were in a box strapped on the inside towards the bottom. The musician was preceded by a foreignlooking personage-the manager. As soon as he had fixed on a station he deemed eligible, the trio stopped, the .neatre was on its legs in a minute, and some green baize furled towards the top of each side, and at the back, was let down by the manager himself, who got within the frame and thus concealed himself. The band of two instruments was set in motion by its performer, who took his station on one side, and the carrier of the theatre assuming the important office of money collector. "Come ladies and gentlemen," he said, we can't begin without you encourage us-some money if you please please to remember what you are going to see!" Boys came running in from the fields, women with children got "good places," windows were thrown up and well filled, the drummer beat and blew away lustily, the audience increased every minute, a collection was made, and the green curtain at length drew up, and discovered a stage also lined with green cloth at the top, bottom, and sides. In about a minute the tune altered, and the show began.

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Scene 1. A jolly-looking puppet performed the tricks of a tumbler and posture master with a hoop.

Scene 2. The money taker called out, "This is the representation of a skeleton." The music played solemnly, and the puppet skeleton came slowly through a trap door in the floor of the stage; its under jaw chattered against the upper, it threw its arms up mournfully, till it was fairly above ground, and then commenced

a

grave" dance. On a sudden its head dropped off, the limbs separated from the trunk in a moment, and the head moved about the floor, chattering, till it resumed its place together with the limbs, and in an instant danced as before; its efforts appeared gradually to decline, and at last it sank into a sitting posture, and remained still. Then it held down its skull, elevated its arms, let them fall on the ground several times dolorously; fell to pieces again; again the head moved about the stage and chattered; again it

resumed its place, the limbs reunited, and the figure danced till the head fell off with a gasp; the limbs flew still furthe. apart; all was quiet; the head made one move only towards the body, fell sideways, and the whole re-descended to a dirge-like tune. Thus ended the second

scene.

Scene 3. This scene was delayed for the collector again to come round with his hat:-"You can't expect us to show you all for what you've given. Money is you please; money; we want your money!" As soon as he had extracted the last extractable halfpenny, the curtain drew up, and-enter a clown without a head, who danced till his head came from between his shoulders to the wonder of the children, and, almost to their alarm, was elevated on a neck the full length of his body, which it thrust out ever and anon; after presenting greater contortions than the human figure could possibly represent, the curtain fell the third time.

Scene 4. Another delay of the curtain for another collection, "We have four and twenty scenes," said the collector," and if you are not liberal we can't show 'em all-we must go." This extorted something more, and one person at a window, who had sent three-pence from a house where other money had been given, now sent out a shilling, with a request that "all" might be exhibited. The showman promised, the curtain drew up, and another puppet-tumbler appeared with a pole which, being placed laterally on the back of two baby-house chairs, he balanced himself on it, stood heels upwards upon it, took the chairs up by it, balanced them on each end of it, and down fell the curtain.

Scene 5. A puppet sailor danced a hornpipe.

Scene 6. A puppet Indian juggler

threw balls.

Scene 7. Before the curtain drew up the collector said, "This is the representation of Billy Waters, Esq." and a puppet, Billy Waters, appeared with a wooden leg, and danced to the sound of his fiddle for a minute or two when the curtain dropped, and the manager and performers went off with their theatre, leaving the remaining seventeen scenes, if they had them, unrepresented. On the show was painted, "Candler's Fantoccini, pa tronised by the Royal Family." Our old acquaintance, “ Punch,” will survive all this.

66

August 15.

The Assumption of the Blessed Virgin
St.
Mary. St. Alipius, Bp. A. D. 429.
Arnoul, or Arnulphus, Bp. A. D. 1087.
St. Mac-Cartin, or Aid, or Aed, Bp. of
Clogher, A. D. 506.

Assumption, B. V. M.

So stands this high festival of the Romish church in the church of England calendar. No reason can be imagined for its remaining there; for the assumption of the virgin is the pretended miraculous ascent of her body into heaven. Butler calls it "the greatest of all the festivals the Romish church celebrates in

her honour." In his account of this day, he especially enjoins her to be invoked as a mediator. The breviaries and offices

of her worship embrace it as an opportunity for edifying the devotees with stories to her honour; one of these may suffice. There was a monk very jolly and light of life, who on a night went forth to do his accustomed folly; but when he passed before the altar of our lady, he saluted the virgin, and then went out of the church; and as he was about to pass a river he fell in the water, and the devils took his soul. Then angels came to rescue it, but the devils maintained that it was their proper prey. And anon came the blessed virgin, and rebuked the devils, and said the soul belonged to her; and they answered, that they had found the monk finishing his life in evil ways; and she replied, that which ye say is false, for I know well, that when he went into any place, he saluted me first, and that when he came out again he did the same, and if ye say that I do you wrong, let us have the judgment of the sovereign king thereon. Then they contended before our Lord on this matter; and it pleased him that the soul should return again to the body, and that the monk should repent him of his sins. In the while, the monks had missed their brother, for he came not to matins, and they sought the sexton and went to the river, and found him there drowned; and when they had drawn the body out of the water, they knew not what to think, and mar velled what he had done. Then suddenly he came to life, and told them what had happened to him, and finished his life in good works.*

• Golden Legend

Durandus, the great Romish ritualist, anxious for devotion to be maintained to the virgin, observes, that though her office is not to be read on the Sundays between Easter and Whitsuntide, as on every other Sunday, yet there is not any danger to be apprehended for introducing it on the Sundays not appointed. A priest once did actually intrude the virgin's office on one of these non-appointed Sundays, for which the bishop suspended him; "but he was soon forced to take off the suspension, in consequence of the virgin appearing to him, and scolding him for his unjust severity."

It is stated by Mr. Brady, that the festival of the assumption of the Virgin Mary was first regularly instituted in 813; and, that the assumption commemorated actually took place, is what none within the power of the late Inquisition would dare to disbelieve; and, that since its first introduction, further, there has been a zeal displayed on this holiday, which must be considered truly commendable, in all those who believe in the fact, and are amiably desirous of convincing others. The pageantry used in celebrating this festival has often been the subject of remark by travellers, but that at Messina seems for its grandeur and ingenuity to claim the preference: Mr. Howel, in his descriptive travels through Sicily, gives a very particular account of the magnificent manner in which this festival is kept by the Sicilians under the title of Bara; which, although expressive of the machine he describes, is also, it appears, generally applied as a name of the feast itself. An immense machine of about fifty feet high is constructed, designing to represent heaven; and in the midst is placed a young female personating the virgin, with an image of Jesus on her right hand; round the virgin twelve little children turn vertically, representing so many seraphim, and below them twelve more children turn horizontally, as cherubim; lower down in the machine a sun turns vertically, with a child at the extremity of each of the four principal radii of his circle, who ascend and descend with his rotation, yet always in an erect posture; and still lower, reaching within about seven feet of the ground, are placed twelve boys, who turn horizontally without intermission around the principal figure, designing thereby to exhibit the twelve apostles, who were collected from all corners of the earth, to be present at

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