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Page 74
... tragedy . Reflecting as I walked down the hill on what I had seen , and upon the failure of the actors and actresses to convey that intensity peculiar to char- acters whose wills are irrevocably set in one direc- tion , without whom tragedy ...
... tragedy . Reflecting as I walked down the hill on what I had seen , and upon the failure of the actors and actresses to convey that intensity peculiar to char- acters whose wills are irrevocably set in one direc- tion , without whom tragedy ...
Page 78
Desmond MacCarthy. tragedy and why it should delight men ; this famous " purging of the emotions " through the spectacle of suffering - what is meant by it ? Art enables us to focus our dumb emotions , and by so doing relieves them .
Desmond MacCarthy. tragedy and why it should delight men ; this famous " purging of the emotions " through the spectacle of suffering - what is meant by it ? Art enables us to focus our dumb emotions , and by so doing relieves them .
Page 154
... Tragedy without falsifying the plot , which would give the impression that the character - drawing in it was of a subtlety and vividness to justify even Swin- burnian ecstasies , while suggesting , and for all my readers could tell ...
... Tragedy without falsifying the plot , which would give the impression that the character - drawing in it was of a subtlety and vividness to justify even Swin- burnian ecstasies , while suggesting , and for all my readers could tell ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth