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Page 40
... tion upon suicide ( " To be , or not to be " , he de- livered well , except for one gust of unnecessary emphasis at the words " bare bodkin " ) ; seated be- side Ophelia's grave , with Yorick's skull between his hands , and speaking ...
... tion upon suicide ( " To be , or not to be " , he de- livered well , except for one gust of unnecessary emphasis at the words " bare bodkin " ) ; seated be- side Ophelia's grave , with Yorick's skull between his hands , and speaking ...
Page 65
... tion - for a man shares the responsibility and the guilt of the society to which he belongs . It is from his own dreaming , solitary mind they derive their intensity . There was always a connec- tion , impossible perhaps to define , but ...
... tion - for a man shares the responsibility and the guilt of the society to which he belongs . It is from his own dreaming , solitary mind they derive their intensity . There was always a connec- tion , impossible perhaps to define , but ...
Page 188
... tion of heaven ) why strain ingeniously after exalted , but necessarily quite inadequate metaphors ? Per- haps there will be more poetry in a childish concep- tion : a table of fruit , a gramophone playing " Home sweet home " and lovers ...
... tion of heaven ) why strain ingeniously after exalted , but necessarily quite inadequate metaphors ? Per- haps there will be more poetry in a childish concep- tion : a table of fruit , a gramophone playing " Home sweet home " and lovers ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth