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Page 62
... things and take others for granted , to feel some things and not to feel others , to steer exclusively by ideals and yet keep one eye askew on the main chance . Out of date , indeed ! No artist ! After the Ibsen battle had been ...
... things and take others for granted , to feel some things and not to feel others , to steer exclusively by ideals and yet keep one eye askew on the main chance . Out of date , indeed ! No artist ! After the Ibsen battle had been ...
Page 133
... things which happen to people happen to them without their attempting to express them . The novelist can get at these things ; the dramatist has to invent ex- pressive words for them which he knows his people would not have spoken ...
... things which happen to people happen to them without their attempting to express them . The novelist can get at these things ; the dramatist has to invent ex- pressive words for them which he knows his people would not have spoken ...
Page 191
... things happening and how they happen , but not why . If he accepts con- ventions , it is because they are actual ... thing , with boundaries at which imag- ination can stop . Morals and religion are to him neither the foundations nor the ...
... things happening and how they happen , but not why . If he accepts con- ventions , it is because they are actual ... thing , with boundaries at which imag- ination can stop . Morals and religion are to him neither the foundations nor the ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth