Drama |
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Page 5
... suggest that this art , like the art of words , should leave us to a great extent fancy free . What scenery should ... Suggestion of place , of night or day , is another matter and a simpler one . The scene must always be laid somewhere ...
... suggest that this art , like the art of words , should leave us to a great extent fancy free . What scenery should ... Suggestion of place , of night or day , is another matter and a simpler one . The scene must always be laid somewhere ...
Page 152
... suggest the desirability of life . But Volpone is indubitably and splendidly a work of art . How is it then suggested ? In the ingenuity of the composition ? The ingenuity of that is triumphant , but it does not lie there . It is sug ...
... suggest the desirability of life . But Volpone is indubitably and splendidly a work of art . How is it then suggested ? In the ingenuity of the composition ? The ingenuity of that is triumphant , but it does not lie there . It is sug ...
Page 195
... suggest in the way of criticism of morality or institutions . That is sound advice as to method . But people sometimes talk as though no work of art should suggest a general idea or definite criticism , which is as non- sensical as to ...
... suggest in the way of criticism of morality or institutions . That is sound advice as to method . But people sometimes talk as though no work of art should suggest a general idea or definite criticism , which is as non- sensical as to ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth