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Page 91
... speaking out of themselves are just those which are apt to appear on our stage parti- cularly unnatural . Mr. Michael Hogan , who ... speak in character , but we get to know them so well largely through seeing them act and move before us ...
... speaking out of themselves are just those which are apt to appear on our stage parti- cularly unnatural . Mr. Michael Hogan , who ... speak in character , but we get to know them so well largely through seeing them act and move before us ...
Page 119
... speak , centrifugal instead of self - centred . ... They seek , not so much to draw our minds in- wards to the consideration of the events they repre- sent , as to cast them outwards to the larger process of the world which those events ...
... speak , centrifugal instead of self - centred . ... They seek , not so much to draw our minds in- wards to the consideration of the events they repre- sent , as to cast them outwards to the larger process of the world which those events ...
Page 157
... speak of herself thus : Once I was lovely ; not a blowing_rose More chastely sweet , till thou , thou , thou , foul canker , ( Stir not ) didst poison me . I was a world of virtue ; and in lines of far finer poetry , in her repentance ...
... speak of herself thus : Once I was lovely ; not a blowing_rose More chastely sweet , till thou , thou , thou , foul canker , ( Stir not ) didst poison me . I was a world of virtue ; and in lines of far finer poetry , in her repentance ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth