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Page 142
... respect is rather like a hospitable , inept hostess , who welcomes any- one from an unknown social world as though the cup of her admiration were at last full , never dream- ing that in her own familiar circle could be found people as ...
... respect is rather like a hospitable , inept hostess , who welcomes any- one from an unknown social world as though the cup of her admiration were at last full , never dream- ing that in her own familiar circle could be found people as ...
Page 199
... respects and improving ( it is possible ) in others , sacrificing her self - respect in some directions to hold it more ... respect from others . Any one of these developments is more interesting than her death , and if worked out would ...
... respects and improving ( it is possible ) in others , sacrificing her self - respect in some directions to hold it more ... respect from others . Any one of these developments is more interesting than her death , and if worked out would ...
Page 230
... respect for the self - respect of others , and often makes the most fascinating manners look a little vulgar and blatant . Of all the characters in the play , Proteus , the Prime Minister , is the only one , male or female , who is even ...
... respect for the self - respect of others , and often makes the most fascinating manners look a little vulgar and blatant . Of all the characters in the play , Proteus , the Prime Minister , is the only one , male or female , who is even ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth