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Page 198
... relations not merely venal with some woman . Mr. Galsworthy imagines the hunt after a woman in Clare's position to be more wolfish than it is . To " the young man " such a meeting would have been a bit of happy for- tune . The miserable ...
... relations not merely venal with some woman . Mr. Galsworthy imagines the hunt after a woman in Clare's position to be more wolfish than it is . To " the young man " such a meeting would have been a bit of happy for- tune . The miserable ...
Page 199
... relations with a series of men of a more or less mono- gamic kind . The effect of such a life on her character would be an interesting story . We can imagine her deteriorating in some respects and improving ( it is possible ) in others ...
... relations with a series of men of a more or less mono- gamic kind . The effect of such a life on her character would be an interesting story . We can imagine her deteriorating in some respects and improving ( it is possible ) in others ...
Page 209
... relations would be as empty as those of children , without being as delightful . The deduction is obvious : make people talk on the stage as though much had already passed between them . Dramatists are too afraid of mystifying their ...
... relations would be as empty as those of children , without being as delightful . The deduction is obvious : make people talk on the stage as though much had already passed between them . Dramatists are too afraid of mystifying their ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth