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Page 127
... persons themselves , in their passions and minds , and not in the external coincidences . First , then , Elena . She ... person to be saved ( there is joy , too , in that ) and comforted as well as loved ; then he is handsome , and his ...
... persons themselves , in their passions and minds , and not in the external coincidences . First , then , Elena . She ... person to be saved ( there is joy , too , in that ) and comforted as well as loved ; then he is handsome , and his ...
Page 281
... person— above all , against the Catholic Church , the strongest of established religions . The play can be described as an exceedingly powerful Protestant pamphlet , since the essence of Protestantism lies in reliance upon internal ...
... person— above all , against the Catholic Church , the strongest of established religions . The play can be described as an exceedingly powerful Protestant pamphlet , since the essence of Protestantism lies in reliance upon internal ...
Page 325
... person you have loved perhaps loves someone else , or though apparently you have lived a lonely and love - starved life , in reality everyone has a predestined mate . You need not be troubled . He or she is safely destined for you for ...
... person you have loved perhaps loves someone else , or though apparently you have lived a lonely and love - starved life , in reality everyone has a predestined mate . You need not be troubled . He or she is safely destined for you for ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth