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Page 155
... perhaps to " some cunning touch of tenderness or delicate fume of pathos " . per- No one would guess that Aspatia is never for one moment convincing , or that she is as barefaced an attempt to work in us the handle of the pump of tears ...
... perhaps to " some cunning touch of tenderness or delicate fume of pathos " . per- No one would guess that Aspatia is never for one moment convincing , or that she is as barefaced an attempt to work in us the handle of the pump of tears ...
Page 212
... Perhaps Robert can give her something he cannot ( 0 , he knows how unsatisfying and yet how much that has been ! ) ; something no human being has a right to prevent another having . This is the first thing he must find out . The scene ...
... Perhaps Robert can give her something he cannot ( 0 , he knows how unsatisfying and yet how much that has been ! ) ; something no human being has a right to prevent another having . This is the first thing he must find out . The scene ...
Page 251
... perhaps not important . And I am sure the movie habit has quickened considerably the rapidity of the public's capacity for attention , though we orientals must still strike western play- wrights and producers as very slow in the up ...
... perhaps not important . And I am sure the movie habit has quickened considerably the rapidity of the public's capacity for attention , though we orientals must still strike western play- wrights and producers as very slow in the up ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth