Drama |
From inside the book
Results 1-3 of 69
Page 36
... once this impression . Had the producer been look- ing on he would have seen this instantly . The part of William Shakespeare , which is a monotonous one , requires a mercurial alertness to be tolerable . Mr. Harcourt Williams is ...
... once this impression . Had the producer been look- ing on he would have seen this instantly . The part of William Shakespeare , which is a monotonous one , requires a mercurial alertness to be tolerable . Mr. Harcourt Williams is ...
Page 214
... once said to me " . Radiant with appreciation , he pro- ceeded to repeat what I remembered distinctly he had once said to me . This incident made an im- pression . So , when I read the other day a paragraph about myself in which I was ...
... once said to me " . Radiant with appreciation , he pro- ceeded to repeat what I remembered distinctly he had once said to me . This incident made an im- pression . So , when I read the other day a paragraph about myself in which I was ...
Page 370
... once to marry . With a cry her child recovers consciousness ; her prayer has been miraculously answered . When the curtain rises again , twenty - three years have passed . Her son has run away from home , and she has become a weary ...
... once to marry . With a cry her child recovers consciousness ; her prayer has been miraculously answered . When the curtain rises again , twenty - three years have passed . Her son has run away from home , and she has become a weary ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
27 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth