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Page 195
... mind , and consequently in fiction such figures have no intense reality . They do not engage our deepest attention in spite of exhibiting recognizable characteristics . In this play Mr. Galsworthy strikes me as being primarily ...
... mind , and consequently in fiction such figures have no intense reality . They do not engage our deepest attention in spite of exhibiting recognizable characteristics . In this play Mr. Galsworthy strikes me as being primarily ...
Page 251
... mind , I find I am often exhilarated by this speeding - up . It certainly makes me impatient afterwards of being compelled to stare at the slow evolution on the stage of a situation all - too - clear and perhaps not important . And I am ...
... mind , I find I am often exhilarated by this speeding - up . It certainly makes me impatient afterwards of being compelled to stare at the slow evolution on the stage of a situation all - too - clear and perhaps not important . And I am ...
Page 265
... mind , the roving lovers in the garden is dramatically right ; but to my mind the drama would have been more effec- tively conveyed had his movements not been those of the dancer seeking in a ballet for his lost love , peeping into ...
... mind , the roving lovers in the garden is dramatically right ; but to my mind the drama would have been more effec- tively conveyed had his movements not been those of the dancer seeking in a ballet for his lost love , peeping into ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth