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Page 42
... lover and the delicacy of a gentleman " . Mr Barrymore let his voice tremble to a sob , when he told Ophelia that " he did love her once " . It may be traditional , but it is a bad tradition ; Hamlet was no lover . Polonius was nearer ...
... lover and the delicacy of a gentleman " . Mr Barrymore let his voice tremble to a sob , when he told Ophelia that " he did love her once " . It may be traditional , but it is a bad tradition ; Hamlet was no lover . Polonius was nearer ...
Page 160
... lover she adored , as was shown in the first act ) because her brother stormed about his honour , is now treated by Amintor as " a monster of cruelty " , though what he would do to her lover if he were not the King , he has expressed in ...
... lover she adored , as was shown in the first act ) because her brother stormed about his honour , is now treated by Amintor as " a monster of cruelty " , though what he would do to her lover if he were not the King , he has expressed in ...
Page 318
... lover of youth , because I have never yet seen in his work that sympathy with pimpled and sullen spiritual gawkiness which , it seems to me , youth's true lover must also possess . Youth is essentially the thinking time . It is an ...
... lover of youth , because I have never yet seen in his work that sympathy with pimpled and sullen spiritual gawkiness which , it seems to me , youth's true lover must also possess . Youth is essentially the thinking time . It is an ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth