Drama |
From inside the book
Results 1-3 of 14
Page 23
... leaves the poetry a fairer field . There are other even better ways of achieving this . The fundamental objection to the performance at the Court is that it does not attempt them . On the realistic plane Othello is not over - acted but ...
... leaves the poetry a fairer field . There are other even better ways of achieving this . The fundamental objection to the performance at the Court is that it does not attempt them . On the realistic plane Othello is not over - acted but ...
Page 204
... leaves him with the words " You are too noble for me " on her lips , while he exhibits a sympathetic modesty . " Do you suppose I compare myself with the meanest private out there ? " he says ( a false note in a man who is sustained by ...
... leaves him with the words " You are too noble for me " on her lips , while he exhibits a sympathetic modesty . " Do you suppose I compare myself with the meanest private out there ? " he says ( a false note in a man who is sustained by ...
Page 370
... leaves her , were wonderful moments . In the last act she climbs to a mountain shrine to pray once more for a miracle ; that his heart may be softened and his soul saved . She has no offering , no sacrifice to bring the Virgin now ...
... leaves her , were wonderful moments . In the last act she climbs to a mountain shrine to pray once more for a miracle ; that his heart may be softened and his soul saved . She has no offering , no sacrifice to bring the Virgin now ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
27 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth