Drama |
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Page 100
... give away his hoarded gold of thought . He acts for the moment as a stimulant to Rosmer's courage when meeting the harsh conventionalism of Kroll , utter sham though Brandel is . ( Sham prophets often help a little while people more ...
... give away his hoarded gold of thought . He acts for the moment as a stimulant to Rosmer's courage when meeting the harsh conventionalism of Kroll , utter sham though Brandel is . ( Sham prophets often help a little while people more ...
Page 190
... give their services to the Stage Society is small . It lies almost entirely in the opportunity of learning their art , of testing their scope , and perhaps — if managers know their business - in making an im- pression on those who have ...
... give their services to the Stage Society is small . It lies almost entirely in the opportunity of learning their art , of testing their scope , and perhaps — if managers know their business - in making an im- pression on those who have ...
Page 206
... give an account of the play and show where I was puzzled . But first I must come to terms with a misgiving . It is a treat to be puzzled by a play , so perhaps I over- rate this one because it has puzzled me ? I do not think that is the ...
... give an account of the play and show where I was puzzled . But first I must come to terms with a misgiving . It is a treat to be puzzled by a play , so perhaps I over- rate this one because it has puzzled me ? I do not think that is the ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth