Drama |
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Page 91
Desmond MacCarthy. DRAMA AND DOSTOEVSKY HE PRODUCTION of The Idiot at the Little Theatre is certainly much more interesting than most plays running at this moment , but it is also ... DRAMA AND DOSTOEVSKY (The Idiot), Septem- ber 25th, 1926.
Desmond MacCarthy. DRAMA AND DOSTOEVSKY HE PRODUCTION of The Idiot at the Little Theatre is certainly much more interesting than most plays running at this moment , but it is also ... DRAMA AND DOSTOEVSKY (The Idiot), Septem- ber 25th, 1926.
Page 99
... drama of modern life and then - watches what will happen . The result is mutual laceration , not reconciliation - unless that climax - scene between Rebecca and Rosmer , that moment's marriage between them , is intended to be , not ...
... drama of modern life and then - watches what will happen . The result is mutual laceration , not reconciliation - unless that climax - scene between Rebecca and Rosmer , that moment's marriage between them , is intended to be , not ...
Page 100
... drama . To modulate out of realistic psychological drama into poetic , symbolic drama puts an enormous strain upon both actors and producers ; yet upon that successful modula- tion all depends . The beauty of Ibsen's work is at stake ...
... drama . To modulate out of realistic psychological drama into poetic , symbolic drama puts an enormous strain upon both actors and producers ; yet upon that successful modula- tion all depends . The beauty of Ibsen's work is at stake ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth